Héctor Alterio

No overview available.

Life and work of the Argentine hero José de San Martín, especially during the time he lived in Europe.

Jose is an elderly rebel who, after being refused a withdrawal at a bank, returns with a gun and threatens to shoot himself if he doesn't get his cash. Pedro, a young teller, is disillusioned with his life and sees Jose's stunt as a way out when he pretends to be taken hostage, leaving the bank with the old man and a hefty amount of money. The unlikely duo become friends, picking up tough-girl Ana along the way, while avoiding the police.

A band of medieval mercenaries take revenge on a noble Lord who cheated them by kidnapping his son's fiancée. As the plague and warfare cut a swathe of destruction throughout the land, the mercenaries hole up in a castle and await their fate.

Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.

In 1976, Argentina fell into the hands of a de facto government. Thousands of citizens are persecuted and kidnapped. This is the case of the parents of two children, who, knowing they are wanted, decide to hide.

Buenos Aires, Argentina, 1983. In the last and turbulent days of the military dictatorship, Alicia, a high school history teacher, begins to ask uncomfortable questions about the dark origins of Gaby, her adopted daughter.

In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

Though no one can see him, Hollow Face lurks in the corners, desperately desiring love but only knowing how to spread fear and hate. He creeps into the life of John Farrow after Farrow’s beloved 12-year-old daughter Mia is assaulted in their home. The line between the real and the imaginary blurs as fissures start to open within the family unit. It seems that no security measure can keep Hollow Face out.

Three old men and a little boy try to preserve what they consider to be National Patrimony in the form of a locomotive nicknamed the "33"

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

Dr. Wilfred Manz performs a magical experiment on a beetle-shaped amulet. His patience exhausted, he smashes his fist into some bottles and a few drops of blood fall onto the scarab. His laboratory is rocked by an explosion, the god Khepera appears and Manz is transformed into a demi-god magician. Thirty years later, Manz has assumed the name Khepera and lives in mysterious castle. Using his magical powers, he is killing heads of government and causing the collapse of major financial institutions. Jack Murphy, an American correspondent, witnesses the pandemonium following the suicide of the Spanish prime minister and notices an attractive nurse, Elena, take a small scarab which has fallen from the prime minister's lapel. Later, he visits an occult shop where the scarab is identified as being associated with the Egyptian god, Khepera. Murphy is captured and Elena — who was tricked into sacrificing her brother when they were children — once more takes up the sacrificial dagger...

It tells two parallel stories: that of José Olaya, a young Asturian miner who is forced to emigrate to Argentina in 1934, using his brother Andrés’s identity and documents; and that of his son, Ernesto Olaya, a middle-aged Argentine architect who emigrates to Spain in 2001, also against his will, seeking a way out of the economic problems affecting his family.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores’s life unbearable and inevitably tragic.

No overview available.

No overview available.

No overview available.