Pier Paolo Pasolini

Glimpses of Chaucer penning his famous work are sprinkled through this re-enactment of several of his stories.

In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

A young Sicilian is swindled twice, but ends up rich; a man poses as a deaf-mute in a convent of curious nuns; a woman must hide her lover when her husband comes home early; a scoundrel fools a priest on his deathbed; three brothers take revenge on their sister's lover; a young girl sleeps on the roof to meet her boyfriend at night; a group of painters wait for inspiration; a crafty priest attempts to seduce his friend's wife; and two friends make a pact to find out what happens after death.

The capital of Yemen, the city of Sana'a, holds an important part of history within its walls filled with medieval architecture and culture. But that same culture was about to disappear with the country's modernization which came after the civil war in the 1960's. To impeach such modern invasion, director Pasolini pledges to UNESCO for the recognition of Sana'a as a World Heritage Site.

No overview available.

A Mexican community is slaughtered by Confederate troops; the lone survivor, a boy, is taken in by a preacher. Years later, the boy is now a soft-spoken, devout young man with perfect shooting skills (despite being a pacifist). On his journey to help his half-sister out of a complicated situation, he crosses paths with the men who killed his family, unbeknownst to him.

The documentary focuses on some decisive encounters for Pasolini's intellectual parable with the great Oscars of Italian cinema: from Bernardo Bertolucci to Dante Ferretti, from Ennio Morricone to Danilo Donati.

Reflections on the first films of Pier Paolo Pasolini with his considerations on the real language of cinema.

We are on the set of "Salò or the 120 days of Sodom". Pasolini lets a small camera team led by the journalist Gideon Bachmann follow him around engaging him in a long and extraordinary interview/conversation. The interview turns into a long, clear-sighted and violent attack on society that accompanies photos of the set in a surprising juxtaposition of film and reality, revealing Pasolini's metaphorical portrait of modernity.

No overview available.

In 1963, accompanied by a newsreel photographer and a Catholic priest, Piero Paolo Pasolini traveled to Palestine to investigate the possibility of filming his biblical epic The Gospel According to Matthew in its approximate historical locations. Edited by The Gospel‘s producer for potential funders and distributors, Seeking Locations in Palestine features semi-improvised commentary from Pasolini as its only soundtrack. As we travel from village to village, we listen to Pasolini’s idiosyncratic musings on the teachings of Christ and witness his increasing disappointment with the people and landscapes he sees before him. Israel, he laments, is much too modern. The Palestinians, much too wretched; it would be impossible to believe the teachings of Jesus had reached these faces. The Gospel According to Matthew was ultimately filmed in Southern Italy. Mel Gibson would use some of the same locations forty years later for The Passion of the Christ.

Alvaro Cosenza, also known as the Hunchback from Quarticciolo, during Rome's occupation by Nazis in 1943, decides to revolt.

No overview available.