
Acting
Dec 31, 1959
Brochet, Manitoba, Canada
Billy Merasty
Acting
Biography
Billy Merasty is an actor, playwright, Cree translator, and language keeper. He was born to Viola and Pierre Merasty in 1960 in Brochet, Manitoba. His grandfather was Joe Highway, a famous caribou hunter and champion dogsled racer. He moved to Toronto at age eighteen in search for his uncle René Highway, who was at the time working for the Toronto Dance Theatre. At age twenty-three Billy launched his acting career after graduating from the Native Theatre School for aspiring Indigenous artists. He then went on to work for the renowned Indigenous performing arts company Native Earth Performing Arts. Billy has worked as a film, television, and stage actor for decades and notably played the first Indigenous gay character on television on the CBC series, Liberty Street, in the role of Nathan. Billy received the Order of Manitoba (Order of the Buffalo Hunt) in recognition for his many years as an Indigenous role model in 2010.
Feature Films (26)

Hoping to leave behind troubled days in the Baltimore city police department, Nate Burns journeys to Alaska, where he takes up a quiet life as a small-town sheriff and begins a romance with spirited bush pilot Meg Galligan). But when Meg's father turns up dead, Burns finds himself thrust into the limelight of a dangerous murder investigation.
Northern Lights

To remedy his financial problems, a travel agent has his eye on a frozen corpse, which just happens to be sought after by two hitmen.
The Big White

Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.
Bury My Heart at Wounded Knee

Englishmen come to explore and settle the new world. There they find natives who are curious about their "firesticks" and strange customs.
Pocahontas: The Legend

In the mid-18th Century, as England and France battle over control of Canada, an epic romance between a peasant woman and a trapper unfurls
Battle of the Brave

In a small Saskatchewan town in the 1960s, Yvette Wong, a young girl of Chinese and Cree heritage, struggles with her Indigenous identity amidst family tragedy in this coming-of-age film directed by Mohawk artist and filmmaker Shelley Niro. Yvette’s mother, Katherine, discourages her from embracing her Cree identity, so she explores it in secret. As she learns more about herself and her Indigenous heritage, Yvette finds a friend in Maggie Wolf, who embraces being part Mi’kmaq and encourages Yvette to be proud of being Cree. When her classmates learn about her Cree ancestry, Yvette encounters the realities of being Indigenous, facing prejudice with pride and holding fast to her dream of becoming a doctor. Café Daughter is inspired by true events and based on Kenneth T. Williams’ play of the same name.
Café Daughter

A mixed group of adventurers searches for Esperanza, a legendary gold treasure, in the Yukon territory in this Jack London-based tale.
Les Légendes du Grand Nord

A drama about explorer John Smith and the clash between Native Americans and English settlers in the 17th century.
The New World

Three Ojibway Natives race to find a mystical ancestral spring before a ruthless industrialist claim it.
The Shaman's Source

Set within the fluidity of time, touch, realism and reverie. Some may call this magic realism. Based within Indigenous knowledge and way of life, this story allows two people to heal, through touch, calm, love and patience in a fantastical space that leaves the audience dreamlike and yet it is dangerous and violent, there is love.
Stellar

This all-Native production, by director Shelley Niro (Mohawk), is part of the Smoke Signals new wave of films that examine Native identity in the 1990’s. Set on the Grand Pine Indian Reservation, aka “Reservation X”, HONEY MOCCASIN combines elements of melodrama, performance art, cable access, and ‘whodunit’ to question conventions of ethnic and sexual identity as well as film narrative. A comedy/thriller complete with a fashion show and torchy musical numbers, this witty film employs a surreal pastiche of styles to depict the rivalry between bars The Smokin’ Moccasin and The Inukshuk Cafe, the saga of closeted drag queen/powwow clothing thief Zachary John, and the travails of crusading investigator Honey Moccasin. This irreverent reappropriation of familiar narrative strategies serves as a provocative spring-board for an investigation of authenticity, cultural identity, and the articulation of modern Native American experience in cinematic language and pop culture.
Honey Moccasin

Fact-based story of an idealistic single dad who discovers that his beloved Native American adopted son is afflicted with Fetal Alcohol Syndrome and complicates his life with the woman who becomes his wife.
The Broken Cord
Television & Series (17)

Liberty Street was a Canadian drama television series, which aired on CBC Television in 1995. Produced by Kit Hood and Linda Schuyler, the team behind the long-running Degrassi series of television shows, Liberty Street was an attempt to create a similar series depicting the lives of a group of young adults living on their own for the first time. The pilot film, X-Rated, aired in 1994 and was developed into an 11-episode series. The cast included Henriette Ivanans, Joel Bissonnette, Billy Merasty, Kimberly Huie and Pat Mastroianni. Parts of the show were shot in and around the Liberty Village area of Toronto.
Liberty Street

Moose TV is a Canadian television sitcom, airing on Showcase in the 2007-08 television season. The show stars Adam Beach as George Keeshig, a Cree from the fictional community of Moose in northern Quebec, who returns home after a decade living in Toronto to become manager of the local community television station. The cast also includes Gary Farmer, Jennifer Podemski, Nathaniel Arcand, Michelle Latimer, Diane Flacks and Billy Merasty. The show's head writer is Paul Quarrington. The series was directed by Tim Southam. Produced by Rezolution Pictures for the Showcase network in Canada, the series received the Indie Award for Best Comedy Series from the Canadian Film and Television Producers Association in 2008.
Moose TV

Jaye Tyler, a recent Brown University graduate with a philosophy degree, holds a dead-end job as a sales clerk at a Niagara Falls gift shop. Jaye is the reluctant participant in conversations with various animal figurines — a wax lion, brass monkey, stuffed bear, and mounted fish, among others — which direct her via oblique instructions to help people in need.
Wonderfalls

The Canadian contribution to World War Two was extraordinary in scale and variety. More than one million people, out of nation of just eleven million, volunteered to serve. To transform a small, virtually unequipped military into a powerful army, navy and air force was a remarkable achievement. No Price Too High traces Canada's involvement from the prewar years through 1945, explaining the events of the war in the context of the political and military realities of the time. There is none of the second guessing that has characterized so much recent analysis of the war. No Price Too High draws on original sources - personal letters and diary entries, and powerful photographs - to evoke the mood of those momentous years. The thoughts, hopes, dreams, fears, and heartbreaks of the generation of Canadians who faced the war are captured. Produced by Norflicks, No Price Too High chronicles Canada's role in the major events of the war, including The Battle of Britain, Dieppe and D-Day.








