Birger Malmsten

The old Victor Branzell has a grandson, Alf, who is in love with a clerk in a glove shop, Lilian Lind. But Lilian with her simple background doesn't get accepted in the circles where Alf belongs, and they have now reached the conclusion that they can't have a future together. Marriage is impossible. Victor summons Lilian and Alf and starts telling them his life story.

Traveling through an unnamed European country on the brink of war, sickly, intellectual Ester, her sister Anna and Anna's young son, Johan, check into a near-empty hotel. A basic inability to communicate among the three seems only to worsen during their stay. Anna provokes her sister by enjoying a dalliance with a local man, while the boy, left to himself, has a series of enigmatic encounters that heighten the growing air of isolation.

Jan-Olof has an unresolved relationship with his father, and during the days leading up to the funeral, he tries to find out who the father really was. The practical arrangements for a funeral are often of a tragicomic nature.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 theatrical feature film (approximately 135 minutes), created by condensing and re-editing the four-part Swedish television miniseries originally produced the same year.)

Sickan has a new plan. This time, the gang are going to steal a small computer micro chip which contains a top secret plan of what the government intends to do with Sweden in the future. But, Wall-Enberg is also planning to steal the chip. The payment will be 55 million Swedish crowns in gold and diamonds to whoever can deliver the chip to the foreign investors. Who will grab hold of the chip, the Jönsson gang or Wall-Enberg?

The story concerns the Yugoslavian holiday of two toothsome Swedish girls. One of the girls, played by Maria Liljedahl, is (metaphorically speaking) a world-champion in the promiscuity sweepstakes, bedding men (and women) in great profusion. Somehow, the movie also manages to be about film reviewers and film directors. Variety commented '...the film's inherently good visual and physical qualities are themselves dissipated in [the director's] cynicism, ennui, and involuted intellectual mirror tricks.'

During a brief summer vacation, a lonely woman recalls her first love thirteen years earlier.

A young orchestra violinist’s fear of mediocrity and drive for artistic success strain his marriage to a fellow musician. Told largely in flashback and shaped by Beethoven’s Ninth Symphony, the film examines ambition, love, and loss in early Ingmar Bergman.

Marine Bo Fredriksson is travelling home on a leave. He reminisce about an accident he caused as a 12-year old which killed a young girl, an event that has made him feel revulsion for death. Back home he meets Eva, a girl he fancies and they move together to Stockholm to start a life together.

In postwar Sweden, a gifted young pianist’s life is transformed after a tragic accident leaves him blind. Struggling with bitterness, isolation, and the loss of his former world, he finds unexpected support and companionship from a compassionate young woman who helps him rebuild his sense of purpose. As their relationship deepens over the years, both must confront questions of pride, class, and emotional vulnerability in order to move forward.

Jan-Erik Widgren meets the lonely Bertha Olsson, a woman struggling with alcoholism. Though Bertha is already linked to Caligula, Jan-Erik's heartless teacher, she begins a relationship with the boy anyway. When Caligula learns that Jan-Erik is having an affair with Bertha, he begins to torture his student psychologically. He reserves his cruelest behavior for Bertha, however, which results in a tragic turn of events.

A fractured portrait of desire and isolation, following a failing marriage and parallel stories of emotional entrapment as memories surface during a train journey through postwar Europe. Told through flashbacks and multiple narrative threads, the film signals Ingmar Bergman’s emerging mature style.

Bertil "Engeln" Engelbrecht is tired of working for his half-brother's detective agency. After being released from prison his girlfriend Maggie begs him to find another job. But leaving his prior work is harder than Bertil thought.

A psychiatrist temporarily separated from her family begins to experience severe psychological distress while working at a mental hospital and returning to her childhood home. As her professional responsibilities and personal relationships intersect, she undergoes a breakdown that forces her to confront long-suppressed memories and fears. (Note: This entry refers to the 1976 four-part Swedish television miniseries. A condensed theatrical feature edited from the same material was released separately in 1976.)