Sakda Kaewbuadee

Jenjira, a Thai widow, travels to the ancient Buddhist temple Sigiriya in Sri Lanka to scatter her husband’s ashes. As her visions blur time and space, she is swept into a journey through across dimensions.

Nawin, a secret agent, goes rogue to rescue a mysterious woman, Jin, from the private military force that abducted her. They flee to her birthplace, pursued by the force's captain, and also by Jin’s brother, a killer capable of transforming into a giant serpent.

A story about director Apichatpong Weerasethakul's parents who were both doctors, and his memories of growing up in a hospital environment.

Suffering from a kidney disease and sure of his death, Uncle Boonmee assembles his relatives in the countryside. He reminisces about his past lives and plans to visit a place before dying.

Six directors, six independent films, six visions on the state of the world. Each carrying a unique and personal interpretation of a specific experience, their crossover creates new space for a dynamic and radical inquisitive reflection.

One of the ingrained rituals in Thai society is the blessing automatically given before certain ceremonies and events such as the playing of the Royal Anthem in movie theaters before feature presentations. This short presents a "Cinema Anthem" which comically praises and blesses the feature to come.

Diseases and a Hundred Year Period is a film-tract that comes to us from Thailand. It is directed by Sompot Chidgasornpongse, Weerasethakul's assistant on several of his films (including Syndromes and a Century), in reaction to the censorship of Syndromes and a Century in Thailand.

Created in celebration of the three-hundredth anniversary of the birth of Jean-Jacques Rousseau, this short essay centres on a monologue delivered by a reincarnation of the philosopher in twenty-first century Thailand.

A collection of short films by five Thai directors imagining their country ten years into the future.

Featuring seven stories from seven auteurs from around the world, the film chronicles this unprecedented moment in time, and is a true love letter to the power of cinema and its storytellers.

Like Kamanita, the unchanged Morakot is a star burdened with (or fueled by) memories. Apichatpong collaborated with his three regular actors, who recounted their dreams, hometown life, bad moments, and love poems, to re-supply the hotel with new memories.

A recreation of an event to commemorate the presence of the dead and the decayed memories of the living, of filmmaking