
Acting
Jun 9, 1922
Cape Town, South Africa
Bill Kerr
Acting
Biography
From Wikipedia, the free encyclopedia. William Henry Kerr (10 June 1922 – 28 August 2014) was a British and Australian film and television actor. He was born into a performing arts family in Cape Town, South Africa, but grew up in Wagga Wagga, New South Wales, Australia. He began working as a child actor in depression era Australia, taking his first major role in The Silence of Dean Maitland, one of Australia's first talking films. After serving in the Second World War, Kerr moved to England to further his acting career, and during the 1940s he was regularly featured in the BBC radio series Variety Bandbox. His trademark was his catch phrase "I'm only here for 4 minutes..." In the 1950s, he had a recurring role as an Australian lodger in the BBC radio comedy series Hancock's Half Hour. Initially sharper than Hancock's characterisation, it was developed into a more dim-witted character who became the butt of Hancock's jokes. His television appearances in Britain include a 1968 Doctor Who story called The Enemy of the World, with Patrick Troughton, and a long running part in the early 1960s BBC-TV soap, Compact. Bill Kerr had much theatrical success in Britain, playing The Devil in the original West End production of Damn Yankees, directed by Bob Fosse, and Cole. He also worked with Spike Milligan. He appeared in Milligan and John Antrobus's stage play The Bed-Sitting Room, which opened at the Mermaid Theatre on 31 January 1963. A subsequent production opened on 3 May 1967 at the Saville Theatre, and "a cast containing an unusually high proportion of Australian actors including Bill Kerr and David Nettheim." Then in 1972 he co-starred with Anthony Newley in the long running Newley/Bricusse musical, The Good Old Bad Old Days. In 1975, Kerr took the part of Bluey Notts, described as "an Australian bookie's clerk, a crude racialist", in The Melting Pot. This was a sitcom written by Spike Milligan and Neil Shand, which was cancelled by the BBC after just one episode had been broadcast. He also appeared in several British films, including The Dam Busters and The Wrong Arm of the Law, before moving back to Australia. Although probably best known as a comic actor, and especially for his appearances in Hancock's Half Hour, he has since played a number of serious roles, notably in Peter Weir's films Gallipoli (1981) and The Year of Living Dangerously (1982). He also worked on the Australian stage in the 1980s, in musicals such as My Fair Lady, where he received excellent reviews as Alfred Doolittle. In 2001, he appeared in the Australian comedy Let's Get Skase. Kerr also appeared in Glenview High and the 1998 television comedy series Minty. Kerr has also been involved in documentaries, providing the narration for No Survivor - The Mysterious Loss of HMAS Sydney Nine Network Australia (1995), Malice or Mutiny for the ABC Australia 2003 and Animal X Natural Mystery Unit series for Discovery in the US, TV2 Norway and many others. Description above from the Wikipedia article Bill Kerr, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (46)

Two Australian sprinters face the brutal realities of war when they are sent to fight in the Gallipoli campaign in the Ottoman Empire during World War I.
Gallipoli

Left behind by her friends on a boat trip, contemporary teen Mabel takes pursuit but is knocked unconscious on an island, where she has a dream involving pirates, sisters, a modern major-general, romance, and adventure.
The Pirate Movie

In the Australian outback a vicious wild boar kills and causes havoc to a small community.
Razorback

Toss lives on a sheep farm with her father in New Zealand. When Toss's father dies in an accident, Ethan, an itinerant hunter, wanders onto the family farm and is given a job by her grandfather. Toss's fairly innocent relationship with Ethan is severed when he forms a relationship with her mother.
Vigil

The crooks in London know how it works. No one carries guns and no one resists the police. Then a new gang appears that go one better. They dress as police and steal from the crooks. This upsets the natural order of the police/criminal relationship and the police and the crooks join forces to catch the IPOs (Impersonating Police Officers), including an armoured car robbery in which the police must help the gangs to set a trap.
The Wrong Arm of the Law

A ragtag group of kids set out to save derelict steam ferry Lady Hope from destruction.
Save the Lady
Television & Series (19)

The adventures of The Doctor, a time-traveling humanoid alien known as a Time Lord. He explores the universe in his TARDIS, a sentient time-traveling spaceship. Its exterior appears as a blue British police box, which was a common sight in Britain in 1963 when the series first aired. Along with a succession of companions, The Doctor faces a variety of foes while working to save civilizations, help ordinary people, and right many wrongs.
Doctor Who

Ship to Shore is an Australian children's television series devised by David Rapsey and written by Glenda Hambly, John Rapsey, Mary Morris, Everett de Roche, Jon Stephens and others. The program was shown on the ABC and Channel 9 in Australia, on YTV in Canada, and briefly on Nickelodeon in the United States.
Ship to Shore

Glenview High is an Australian television drama series produced by the Reg Grundy Organisation for the Seven Network between 1977 and 1978. The show's title is a reference to the high school Glenview Park Secondary School located in Cambridge, Ontario.
Glenview High

Hancock's Half Hour is a BBC television comedy series of the 1950s and 60s written by Ray Galton and Alan Simpson. The series starred Tony Hancock with Sid James. The final series, renamed simply Hancock, starred Hancock alone. Comedian Tony Hancock starred in the show, playing an exaggerated and much poorer version of his own character and lifestyle, Anthony Aloysius St John Hancock, a down-at-heel comedian living at the dilapidated 23 Railway Cuttings in East Cheam. The series was influential in the development of the situation comedy, with its move away from radio variety towards a focus on character development.













