Pablo Cedrón

An old man named Geppetto creates a wooden puppet named Pinocchio who comes to life.

A quiet, epileptic taxidermist plans the perfect crime. All he needs is the right opportunity. An accident, perhaps…

In the aftermath of the May Revolution, which sparked the end of Spanish colonial rule and the establishment of the first independent government in Buenos Aires, revolutionary leader Juan José Castelli is given the order to oversee the execution of former viceroy Santiago de Liniers. This pushes Castelli into a deep moral conflict, forcing him to confront the tension between revolutionary justice and personal conscience, as well as the human cost of political change.

Three stories of ordinary people intersect on Christmas Eve: a dentist desperate to find his son's toy; a writer who is not happy and decides to look for the woman of his dreams; and a doctor who intends to flirt with a Spanish woman.

A photographer shoots a documentary film in a small town in Argentina (Uribelarrea) about the filming that a foreign producer is doing on the spot.

A reporter becomes involved with a band of terrorists hiding in the mountains between Peru and Bolivia.

Aballay was a bad tempered gaucho. After killing a man, the terrified look of the victim's son raised his consciousness about his savagery. Years go by, that kid's look doesn't leave him. Aballay knows that the kid will look for him.

After the funeral of his daughter Ema, Frank Osorio travels for the first time to Buenos Aires to tell his granddaughter Alina about her mother's death. But Frank has to big secrets: the first one is about the identity of Alina's father and the second one is related to a crime.

Silvio, a young poet and inventor, struggles to find employment and to give meaning to his life. Silvio has a homosexual relationship, which leaves him traumatized.

As Marie sits in the bathroom waiting for the results of her pregnancy test, she recalls her last few hours in Argentina. Memories of her flight from violence are intermingled with those of her first few hours in the unfamiliar country of her exile, together with a sense of hope in the new life that may be growing inside her.

Five employees submerged in the basement of a large store in Mar del Plata are grotesquely linked to each other, each trying to feel better than the other thanks to miserable advantages.

Through time always a fierce contrast exploding until death.

Lalo Padilla, a chauvinistic man and the director of a popular men's magazine, fell victim to a revenge spell cast by one of his mistresses after he stood her up. Upon waking, Lalo discovered that his body had transformed into that of a woman. Now known as Lola, he must live this way while searching for a way to become Lalo again.

Cha Cha Cha was an Argentine sketch comedy television program aired in the 1990s on América TV, starring Alfredo Casero, Fabio Alberti, Diego Capusotto, and others. It was characterized by absurd humour, sometimes bordering on the surreal. In 2012 it was announced by Casero that the show will return as a motion picture.

Carola Casini (Araceli González) is a car racer, and has a changing relationship with another racer, Santiago Becerra (Juan Palomino), who recognizes Carola's skills at the wheel. This is the plot line in which the different characters will move. Among them, Carola's coach, Vicente (Raúl Lavié), and the most diverse members of both families will play a very important part in her personal and professional life.

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No overview available.