Illeana Douglas

Suzanne Stone wants to be a world-famous news anchor and she is willing to do anything to get what she wants. What she lacks in intelligence, she makes up for in cold determination and diabolical wiles. As she pursues her goal with relentless focus, she is forced to destroy anything and anyone that may stand in her way, regardless of the ultimate cost or means necessary.

Sam Bowden is a small-town corporate attorney. Max Cady is a tattooed, cigar-smoking, Bible-quoting, psychotic rapist. What do they have in common? 14 years ago, Sam was a public defender assigned to Max Cady's rape trial, and he made a serious error: he hid a document from his illiterate client that could have gotten him acquitted. Now, the cagey Cady has been released, and he intends to teach Sam Bowden and his family a thing or two about loss.

A commitment-phobic man reunites with his estranged, ailing father and comes to terms with his own childhood.

The year is 2087, the setting is the moon. Pluto Nash, the high-flying successful owner of the hottest nightclub in the universe, finds himself in trouble when he refuses to sell his club to lunar gangster Mogan, who just happens to be helping the mysterious Rex Crater mastermind a plan to take over the entire moon.

After being hypnotized by his sister-in-law, Tom Witzky begins seeing haunting visions of a girl's ghost and a mystery begins to unfold around her.

In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.

Roy is a rebellious teen who had accidentally shot his brother is forced to live with his uncle's family to avoid Juvenile Detention. His uncle Erik is a motivational guru who at first fails to get anywhere with the permanently disgusted Roy. Although Erik's family is a caricature with no depth of character, the culture clash produces some interesting outcomes.

Can an university computer scientist (Cavanagh) make a woman fall in love with his interactive computer before she succumbs to a well-known professor?

After being captured and tortured by the psychopath Otis, teen cheerleader Riley Lawson escapes and informs her parents, who quickly sidestep sluggish FBI agents and take matters into their own hands. But the Lawsons' revenge plan hits a snag when Otis's unusual brother enters the picture.

A film crew in search of a new documentary project determines to find a wrongfully imprisoned death-row inmate. Enter Chauncey Ledbetter, a quirky and potentially gay prisoner convicted of murdering his high school show choir teacher. As filming of the documentary progresses, evidence increases that Chauncey might be guilty after all.

Jeff Goldblum may have starred in some of the biggest movies in history, but to secure a green card for his young Canadian fiancee he's agreed to do a two-week regional theater production of The Music Man in his Pennsylvania hometown. Now he's faced with grueling rehearsals, a furious agent, good friends with their own troubles whom he's convinced to co-star, and the very real prospect of a song-and-dance disaster.

Ever been dumped? In front of 20,000 people at a stadium, on live television!? LEWIS BOND, a dashing young executive, decides to get serious after this experience and creates a list (litmus test) that the right woman should match, to avoid another humiliation. However, when he thinks he has found her, she turns out to be not as perfect as he thought, leaving the risk averse Lewis to choose between what his head or heart tells him.

When death is your business, what is your life? For the Fisher family, the world outside of their family-owned funeral home continues to be at least as challenging as—and far less predictable than—the one inside.

Dinner for Five is a television program in which actor/filmmaker Jon Favreau and a revolving guest list of celebrities eat, drink and talk about life on and off the set and swap stories about projects past and present. The program seats screen legends next to a variety of personalities from film, television, music and comedy, resulting in an unpredictable free-for-all. The program aired on the Independent Film Channel with Favreau the co-Executive Producer with Peter Billingsley. The show format is a spontaneous, open forum for people in the entertainment community. The idea, originally conceived by Favreau, originated from a time when he went out to dinner with colleagues on a film location and exchanged filming anecdotes. Favreau said, "I thought it would be interesting to show people that side of the business". He did not want to present them in a "sensationalized way [that] they're presented in the press, but as normal people". The format featured Favreau and four guests from the entertainment industry in a restaurant with no other diners. They ordered actual food from real menus and were served by authentic waiters. There were no cue cards or previous research on the participants that would have allowed him to orchestrate the conversation and the guests were allowed to talk about whatever they wanted. The show used five cameras with the operators using long lenses so that they could be at least ten feet away from the table and not intrude on the conversation or make the guests self-conscious. The conversations lasted until the film ran out. A 25-minutes episode would be edited from the two-hour dinner.

A stand-up comedian and his three offbeat friends weather the pitfalls and payoffs of life in New York City in the '90s. It's a show about nothing.