Theodor Loos

In a futuristic city sharply divided between the rich and the poor, the son of the city's mastermind meets a prophet who predicts the coming of a savior to mediate their differences.

In this classic German thriller, Hans Beckert, a serial killer who preys on children, becomes the focus of a massive Berlin police manhunt. Beckert's heinous crimes are so repellant and disruptive to city life that he is even targeted by others in the seedy underworld network. With both cops and criminals in pursuit, the murderer soon realizes that people are on his trail, sending him into a tense, panicked attempt to escape justice.

Part of the artificial-creature series encompassing Der Golem (1914 and 1920), Alraune (1918, 1928, 1930) and Metropolis (1926), 'Homunculus' was the most popular serial in Germany during World War I even influencing the dress of fashionable Berlin. Foenss, a Danish star, is the perfect creature manufactured in a laboratory by Kuehne. Having discovered his origins, that he has no 'soul' and is incapable of love, he revenges himself on mankind, instigating revolutions and becoming a monstrous but beautiful tyrant, relentlessly pursued by his creator-father who seeks to rectify his mistake.

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The homunculus and his companion Edgar Rodin make an invention that would allow the hateful homunculus to destroy the world. But first he wants to find out about love. When he observes how young Anna is rejected by her parents, he takes care of her and asks her parents for forgiveness - without success. He brings her to her seducer, who also rejects the girl. The homunculus then takes revenge by ruining the man financially and throwing Anna at his feet. But she still loves the villain and asks Homunculus for mercy. The homunculus cannot understand this feeling of love - he wants to try it out on himself. He puts a young woman who loves him to the hardest test, but she will do anything for him, sacrificing her fiancé and her parents. Only when he reveals his artificial nature to her, she leaves him. This experience confirms the homunculus in his intention to destroy mankind.

Richard Ortmann the artificial man (Homunculus) has become the head of the corporation that represents the capital and power of the country, but he has stopped believing in human love. All the more clear is his goal now: the annihilation of mankind.

For a long time the homunculus had to hide from his pursuers. But now he mingles with humanity again and sows discord, strife and murder. One day, when he meets an orphaned girl, he takes her to the shepherd Rudolf's parents. His goal is to pair the two together in order to breed a new human race from them. To this end, he kidnaps her to a deserted island. But the plan fails because Rudolf tries to kill the homunculus after learning his true identity. In revenge, the homunculus destroys the entire island, including the young couple. His hitherto loyal companion Edgar Rodin is so horrified by this deed that he renounces the homunculus and threatens him with death.

Old John Carstens sells his marine‐equipment firm to Lafrenz, unaware it’s now a fuel‐smuggling front. Living above the showroom with daughter Hanna and son Jochen, he resists Lafrenz’s pressure. When Hanna falls for bargeman Oschi Rasmus, Lafrenz demands John either give up Hanna or settle his debts. John defies him and dies. Oschi clears John’s debts, but Lafrenz soon plots against the young couple.

Hans, a young journeyman violin maker, meets and falls in love with Christel. But he has to go to Milan for a year. Before he leaves, the two get engaged. Christel's mother, who is against the union, intercepts Hans' letters from Italy.

A French adventurer fights to save a woman in the life of prostitution.

Siegfried, son of King Siegmund of Xanten, travels to Worms, capital of the Burgundian kingdom, to ask King Gunther for the hand of his sister, the beautiful Kriemhild.

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