Paul Cook

There'll Always Be an England' - named after Vera Lynn's stirring intro music - was recorded on Saturday, November 10th and captures the energy and excitement of the band and the crowd. The whole of the classic 'Never Mind The Bollocks' album is performed, together with a mixture Pistols cover versions, b-sides and even an impromptu crowd sing-along of 'I Do Like To Be Beside the Seaside'.

Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death.

Julien Temple's second documentary profiling punk rock pioneers the Sex Pistols is an enlightening, entertaining trip back to a time when the punk movement was just discovering itself. Featuring archival footage, never-before-seen performances, rehearsals, and recording sessions as well as interviews with group members who lived to tell the tale--including the one and only John Lydon (aka Johnny Rotten).

A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."

The Sex Pistols captured live onstage at the very end of their fame (they split days after this show). Sid Vicious had by now replaced bassist Glenn Matlock, but internal divisions in the band would come to a head during this winter tour of the US. Numbers performed include 'Pretty Vacant', 'Anarchy in the UK' and 'No Fun'. Live at the Longhorn Ballroom, Dallas, January 10, 1978.

Here’s the Sex Pistols – the original Sex Pistols, with Glen Matlock on bass – in an intense, non-stop onslaught of pure punk rock in a 1996 reunion tour, shot at the fabled Nippon Budokan in Tokyo. John Lydon returns as Johnny Rotten, with two-tone hair, red shorts, and no letup from the famous raw, shouted vocals with which he helped invent UK punk in the 1970’s. Steve Jones, Glen Matlock and Paul Cook blast out the music in the Pistols’ trademark fast, tight, loud style, reviving a host of Sex Pistols favourites. While the great punk-rock moment that the Sex Pistols created and owned in the mid-1970’s was brief and fleeting, this concert shows that punk rock – and the band that made it famous – will never die. A searing evening of wild music.

The concert was recorded live on the Japanese leg of the band's Filthy Lucre Tour. This release is unique in that it is the only officially available full-length visual record of the band's performances on their 1996 Filthy Lucre Tour. Tracklist: 1. Bodies 2. Seventeen 3. New York 4. No Feelings" 5. Did You No Wrong 6. God Save the Queen 7. Liar 8. Satellite 9. (I'm Not Your) Stepping Stone 10. Submission 11. Holidays in the Sun 12. Pretty Vacant 13. EMI 14. Anarchy in the UK 15. Problems

On the edge of the 30th anniversary of punk rock, Punk's Not Dead takes you into the sweaty underground clubs, backyard parties, recording studios, shopping malls and stadiums where punk rock music and culture continue to thrive.

The real-life account of an illiterate, deaf-and-mute, black youth who was accused of murdering a prostitute, and the relationship that developed between him and his court-appointed attorney, who also was deaf, and the events leading up to his precedent-setting trial.

Documentary on the London punk-rock scene, circa '78

Documentary about reggae music and culture in London in 1977. Filmed in Super 8 camera by Don Letts. With participation of Richard Branson, Neneh Cherry, Paul Cook, Sly Dunbar, Paul Weller, John Lydon, Joe Strummer, Siouxsie Sioux, Lee ‘Scratch’ Perry and others. Released in 2017.

Legendary British guitarist Chris Spedding and enigmatic frontman Snips (aka Stephen Parsons) trace the fall and rise of their cult seventies band, the Sharks from the Marquee Club to... wherever. With former sex Pistol Paul Cook and Punk Empress 'Jordan' Mooney.

A documentary series about pop and rock albums that are considered the best or most distinctive of a well-known band or musician or that exemplify a stage in the history of music.

The show first appeared in the summer of 1975, produced some 130 episodes up till the ending of 1979, and was presented by Janet Street-Porter.