
Acting
Rhondda Findleton
Acting
Biography
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Feature Films (12)

In this sequel to the made-for-TV sci-fi thriller Chameleon, Bobbie Phillips returns as Kam, a beautiful but deadly (and genetically altered) government agent who is called into action when a criminal genius stages a daring raid, taking the clientele of an exclusive casino hostage.
Chameleon II: Death Match

Three fraternal bank robbers, languishing in jail, discover a profitable (if not dodgy) way to spend their time. Crime can most certainly pay, if you "know wot I mean?" However when sex and greed rear-up between the good crims and the bad cops, the consequences are both bizarre and fatal.
The Hard Word

Neal McBride is a Glasgow cop who likes to go undercover - the rest of the police wish he would stay there. When he arrests a politician he gets reassigned to where they used to send criminals: Australia. Lancelot Cooper is a Sydney cop but a country boy at heart; he is as trusting as McBride is suspicious. The two are partners on a case where death, deception and betrayal propels them into a desperate fight for survival.
Harbour Beat

Ken Riddle (Craig Adams), to whom sex is a mystery, joins his two mates from work, Arthur (Russell Crowe) and Barry (Aden Young), on a trip to Kalgoorlie’s infamous red light street in a fumbling attempt to collectively lose their virginity. Puffing on Lucky Strikes lit by Zippos, driving Studebakers adorned with tailfins, all the while shaking, rattling and rolling, the characters in Love in Limbo are innocent of greed, unaware of the world’s looming crisis, free of flower power and safe from sex. Love in Limbo is a good time comedy flick about love, zits and rock’n’roll!
Love In Limbo

Robert tries to rekindle a relationship with his teenage daughters Emma and Zoe on their last holiday together before the divorce. He slowly begins to realize that not only has he lost access to all that he loves, but Emma, his youngest, maybe affected in a personal and destructive way.
Skin

With his distinctive voice and unusual view of life, Harris takes us through his story: a harrowing journey of humour, grief, resolution and redemption. Harris, as a child of five, sits underneath his house amongst the cobwebs making 'sugar' by pounding sandstone rocks into fine grains and wrapping them into bags. Harris at 17 falls in love with Helen and when a tragic accident leads to a breakdown he ends up at 'The Cottage'... Thrust up against the lives of other innocent victims, Harris begins to make sense of his own guilt, grief and the secret of his past.
The Sugar Factory

The Greenhouse is a magic-realist drama that centres on the eldest child of two women, Beth, who discovers a portal into the past on their family property. On the cusp of her widowed mother Ruth's sixtieth birthday and the return of her dysfunctional siblings Drew, Doonie and Raf, Beth is swept away by visions of their idyllic childhood and re-lives the moments that defined her adolescence. Despite Ruth's warnings, and as real-world tensions grow between the siblings, Beth becomes dependant on the greenhouse, soon realising it isn't the paradise she believed it to be.
The Greenhouse

Ten years ago, a baby was killed in a house arson fire after a violent home invasion. The parents used the tragedy as a motivation to help build an evangelical community church but now the mother has comes to Jack for help. Jack agrees to look into the still unsolved crime but in looking for the truth Jack will have to fight the system and his own conscience to uncover a tangled web of lies and deception. In the end, Jack must decide if the truth should prevail over the interests of the innocent.
BlackJack: At the Gates

Secret Men's Business explores the relationships and issues of 4 school-friends reunited after the death of a beloved school teacher. During a weekend of sun, surf, girls, wives and late night reminiscing, the friends begin to deal with certain truths which have been ignored for some time. As relationships and issues are explored, the friends face their own personal challenges amidst a contempt bourne out of familiarity.
Secret Men's Business

Jeffrey Gilham had a perfect life. He lived on a river in the heart of Sydney's affluent Shire district. He was handsome, educated, a champion athlete, and a model son from a perfect family. So why, on a freezing morning in 1993 did this model son butcher his parents and brother? Or did he?
Blood Brothers
Television & Series (11)

Inspector Morse is a detective drama based on Colin Dexter's series of Chief Inspector Morse novels. The series starred John Thaw as Chief Inspector Morse and Kevin Whately as Sergeant Lewis, as well as a large cast of notable actors and actresses.
Inspector Morse

The Cooks was an Australian television drama series that ran for one season on Network Ten during the summer of 2004/05. It was a co-production with subscription television and screened on the UKTV channel on Foxtel. It was produced by Penny Chapman and Sue Masters. The directors were Tony Tilse, Ian Gilmour, Brendan Maher and Ian Watson. The Cooks was about the love and war involving the staff of two restaurants on the same street. R&R's Restaurant was run by chefs Rita and Ruth, with waitress Argentine Carmelita. Across the road at Snatch and Grab, its chefs are Gabe and Sachin, who's of Indian descent, with Dishpig at the sink. The Cooks was a spin-off of a telemovie called Temptation, which screened in 2003, starring Colin Friels as Roberto Francobelli.
The Cooks

Zane Malik and the Major Crime Squad investigate crime and murder in all quarters of multicultural Sydney.
East West 101

Halifax f.p. is an Australian television crime series produced by Nine Network from 1994 to 2002. The series stars Rebecca Gibney as Doctor Jane Halifax, a forensic psychiatrist investigating cases involving the mental state of suspects or victims. The series is set in Melbourne. The producers of the film were Beyond Simpson Le Mesurier; Australian Film Finance Corporation and aired on the Nine Network Australia Pty Ltd 21 Episodes of 90 and 102 minutes each were produced, and the series has screened in more than 60 countries. The budget for each episode was an average of $1.3 million. Funding came in part from the Australian Film Finance Corporation and Film Victoria.









