
Acting
Dec 6, 1917
New York City, New York, USA
Hurd Hatfield
Acting
Biography
William Rukard Hurd Hatfield was an American actor, best known for often playing characters of handsome, narcissistic young men, most notably Dorian Gray in the film The Picture of Dorian Gray. Hatfield was born in New York City to William Henry Hatfield, who died in 1954, an attorney who served as deputy attorney general for New York, and his wife, Adele (née McGuire). Hurd was educated at Columbia University, then moved to London, England where he studied drama and began acting in theatre. He returned to America for his film debut in Dragon Seed, in which he and his co-stars (Katharine Hepburn, Akim Tamiroff, Aline MacMahon, Turhan Bey) portrayed Chinese peasants, some more convincingly than others. Hatfield's second film, The Picture of Dorian Gray, made him a star. As Oscar Wilde's ageless anti-hero, Hatfield received widespread acclaim for his dark good looks as much as for his acting ability. However, the actor was ambivalent about the role and his performance. "The film didn't make me popular in Hollywood," he commented later. "It was too odd, too avant-garde, too ahead of its time. The decadence, the hints of bisexuality and so on, made me a leper! Nobody knew I had a sense of humor, and people wouldn't even have lunch with me." His follow-up films, The Diary of a Chambermaid, The Beginning or the End, and The Unsuspected), were successful, but Joan of Arc was a critical and financial failure. Hatfield's film career began to lose momentum very quickly in the 1950s, and he returned to the stage. Subsequent movies included supporting roles in The Left Handed Gun, King of Kings (as Pontius Pilate), El Cid, Harlow (as Paul Bern), and The Boston Strangler. He cut back on performing in the 1970s. His later movies included King David and Her Alibi. He appeared frequently on television and received an Emmy Award nomination for the Hallmark Hall of Fame videotaped play The Invincible Mr. Disraeli). In 1957, he appeared in Beyond This Place, directed by Sidney Lumet. Other television credits include three guest appearances on Murder She Wrote, opposite his Picture of Dorian Gray costar Angela Lansbury, who had become a lifelong friend. He also appeared as the villain in the second episode of Voyage to the Bottom of the Sea. He appeared in Alfred Hitchcock Presents in "None Are So Blind". In 1952, Hatfield appeared as Joseph in Westinghouse Studio One's The Nativity. This was a rare commercial network staging of a 14th-century mystery play, adapted from the York and Chester plays. According to the magazine Films in Review, Hatfield was ambivalent about having played Dorian Gray, feeling that it had typecast him. "You know, I was never a great beauty in Gray...and I never understood why I got the part and have spent my career regretting it", he is reported to have said. He died in his sleep of a heart attack at a friend's home, aged 81, after celebrating Christmas dinner. Description above from the Wikipedia article Hurd Hatfield, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Feature Films (33)

Boston is being terrorized by a series of seemingly random murders of women. Based on the true story, the film follows the investigators path through several leads before introducing the Strangler as a character. It is seen almost exclusively from the point of view of the investigators who have very few clues to build a case upon.
The Boston Strangler

The secretary of an affably suave radio mystery host mysteriously commits suicide after his wealthy young niece disappears.
The Unsuspected

Laura Mansfield catches a glimpse of mob hit man Jackie Wales after he shoots her businessman father. At the police station, Laura identifies Jackie as the murderer, but the policeman in charge of the case, Lt. Brewster, lets him go, citing a lack of corroborating evidence. Outraged, Laura worms her way into the unsuspecting Jackie's heart, trying to snare him and mob-connected club owner Armitage in her trap.
Destination Murder

Who is Jesus, and why does he impact all he meets? He is respected and reviled, emulated and accused, beloved, betrayed, and finally crucified. Yet that terrible fate would not be the end of the story.
King of Kings

When a crooked sheriff murders his employer, William "Billy the Kid" Bonney decides to avenge the death by killing the man responsible, throwing the lives of everyone around him into turmoil, and endangering the General Amnesty set up by Governor Wallace to bring peace to the New Mexico Territory.
The Left Handed Gun
Television & Series (37)

An unassuming mystery writer turned sleuth uses her professional insight to help solve real-life homicide cases.
Murder, She Wrote

The F.B.I. is an American television series that was broadcast on ABC from 1965 to 1974. It was sponsored by the Ford Motor Company, and the characters almost always drove Ford vehicles in the series. Alcoa was co-sponsor of Season One only.
The F.B.I.

Michael Long, an undercover police officer, is shot while investigating a case and left for dead by his assailants. He is rescued by Wilton Knight, a wealthy, dying millionaire and inventor who arranges life-saving surgery, including a new face and a new identity--that of Michael Knight. Michael is then given a special computerized and indestructible car called the Knight Industries Two Thousand (nicknamed KITT), and a mission: apprehend criminals who are beyond the reach of the law. The series depicts Michael's exploits as he and KITT battle the forces of evil on behalf of the Foundation for Law and Government.
Knight Rider

A bald, lollipop sucking police detective with a fiery righteous attitude battles crime in New York City.
Kojak

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.














