Laura Christensen

At The Kingdom, Denmark's most technologically advanced hospital, a number of strange and otherworldly events begin occurring, much to the dismay of its doctors and patients. A ghostly ambulance appears and disappears, the voice of a little girl calls to a patient in an elevator shaft, and a doctor's fetus begins growing at an alarming rate.

A young married couple has to deal with their emotional breakdowns after the death of their only daughter.

Now in his fifties, Vagn leads a solitary life and plays football with a group of similarly aged men, some even older. After being left behind at a petrol station by his teammates on their way to a match in Sweden, he encounters a young habitual offender and together they set off in hot pursuit of Vagn's buddies. A Nordic road movie taking in a whole series of comic, serious and, above all, well-written scenarios.

Christina is living in a suburb to Copenhagen. With her class mates Cecilie, Trine and Pernille she slacks her school work, living mostly for the weekends of gate crashing, getting drunk, experimenting with drugs and scoring guys. But her world is turned upside down when Cecilie's boyfriend Shaid starts hitting on her, and Cecilie mistakenly believes the two of them are making out.

It is the last day of school for Christian and his younger sister Sophie. They are heading to a party at his friend Trina. High school graduation is just around the corner and after the freedom and future. But behind the idyllic facade lurks tragedy and secrets. That evening Sophie commits suicide.

A young couple and their daughter move into a rambling old house. Soon, an increasingly alarming string of events and supernatural disturbances connects the house, and them, with a series of unsolved murders committed three years earlier. They are the only living witnesses, but for how long?

Opening in the seductive style of the sixties, »A Funny Man« uncovers the perennial loneliness that comedian Dirch Passer (Nikolaj Lie Kaas) has found himself in after a fast-tracked rise to fame. He struggles between his own desire to gain critical respect and servicing the audience¿s needs. Costing his kindred friendship to on-stage partner Kjeld Petersen (Lars Ranthe) Dirch takes on Steinbeck's classic »Of Mice and Men«, only for the audience to break out in laughter at his first line. Dirch's Lennie becomes a running joke, and so has, Dirch believes, his own life.

Christmas and New Year. Three girls between 18 and 20, are hospitalized with cancer. All three of them have serious problems, not just in terms of health, but also in terms of their relationships with their nearest and dearest. The girls find a haven in each other's company, where they are free from the fear of death and loneliness, and a substantial part of the film describes their sense of humour, unrestrained candidness and uncompromising zest for life.

Being a stranger doesn’t necessarily mean to be coming from the farthest away. Karl and his mother are about to learn this when they move from the west coast of Denmark to the ethnically and religiously mixed area of Nørrebro in Copenhagen. Sawsan, a Danish-Turkish girl in Karl’s new class, takes him under her wings and tries to integrate him into the big city, with all its slang and hipness. Sawsan is far more experienced and blunt than most – especially compared to Karl, this young Danish boy from the provinces. Sawsan’s big dream comes true when one of her songs is chosen for the Danish version of the Eurovision Song Contest for kids. Sawsan’s father of course says no, but Karl has a plan.

Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

The continuation of Joe's sexually dictated life delves into the darker aspects of her adult life and what led to her being in Seligman's care.

Based on a true story the film tells the story of Svend who fights to save his elderly parents' marriage even though it has made his life almost unbearable. When he meets Lizzie he discovers how big a part of his family's hatred and jealousy he himself is. The only thing left is the ultimate break off, or the ultimate forgiveness.

Peter Verås is an uncompromising journalist in the most respected newspaper in Norway. He makes his life’s biggest mistake when he gets hold of evidence of a financial fraud from an anonymous source. It turns out the evidence points to his own brother. As he still pursues and the story breaks, the brother commits suicide. Peter tries to track down the anonymous source, only to discover that the source was the brother himself. A search for the truth has commenced that involves media, high – ranked politicians as well as the financial elite. The closer he gets to the truth, the more dangerous it becomes for him and his brother’s family.

Through globalization, many countries have been opened and barriers removed to ensure easy trade, travel and cultural diversity. However, this openness has given opportunities to criminals looking to exploit the system and ultimately threaten our global safety. As Europe has become a "safe house" for criminals eluding law enforcers, a special kind of law enforcement team is needed to handle specific ongoing crimes on a global level. "Crossing Lines" is the story of one such team, made up of five international cops, headed by Captain Daniel. The team - comprised of individuals who have little in common - must learn to live and work under the most dangerous and potentially deadly conditions. Housed in an unused storage section underneath the ICC, this mismatched team faces bureaucratic, jurisdictional and cultural obstacles while traversing continents in pursuit of justice.

Ulrikke, Noah, Sky & Max spend their time backstage on the sitcom "The Emergency Room", in which their parents work and act.

Live from Bremen has been described as the successor to Casper and the Mandril Agreement, as the show has the Mandril Agreement's Lasse Rimmer and Lars Hjortshøj as permanent fixtures, as well as Casper Christensen as lead author and man of ideas. The show is broadcast live from Bremen, the former Private Theater in Copenhagen, and is followed by Casper Christensen's talk show ALOHA! sent from the same place. Live from Bremen is inspired by the American sketch and satire show Saturday Night Live.