Cara Williams

Two convicts—one white, one black—escape while chained to each other.

The oddly-assorted Hart cousins: revue singer Blossom, con man Harry, and machinist Chiquita (who gets radio through her teeth!), inherit southern plantation Magnolia Manor, which alas proves to be a "termite trap" and tax liability. Fortunately, Sgt. Rocky Fulton from a nearby army camp appears with a plan to convert the place to a hotel for army wives; but to pay bills until then, they decide to put on a show. Of course, romantic and military complications intervene...

An ex-cop is suspected of murder after he is found with a dead woman. The private detective is on the run -- attempting to prove his innocence.

When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.

Torch singer Helen Morgan rises from sordid beginnings to fame and fortune only to lose it all to alcohol and poor personal choices.

An attorney defends a hoodlum of murder, using the oppressiveness of the slums to appeal to the court.

Chuck Rodwell is a gambling cowboy who discovers that he's lucky at the roulette wheel if he holds hands with dancer Marie. However, Marie doesn't like to hold hands with him, at least not in the beginning...

Meek credit card company clerk Ernest Klenk is feeling the pressure of demanding coworkers, new computers, and an upcoming wedding. This stress leads to a big mistake -- the accidental approval of a credit card for mobster Foots Pulardos, who is planning to flee to Mexico with his girlfriend, Sugar Pye, to avoid criminal charges. When Klenk tries to fix his mix-up, he gets dangerously involved in Foots' scheme.

Ambrose C. Park, left on a park bench as an infant with an impulsive need to find his parents, is an assistant to a diamond cutter. Shyster lawyer Remlick, in a strategy to get a fabulous uncut diamond through Ambrose, arranges for Emily Drummon, Duke Fargoh and Maggie Drummon to pose as Ambrose's long-lost parents and sister. The diamond, through many comic situations, is acquired and the gang is going to have Ambrose cut the diamond, and relieve him of the two stones and his parental illusions at the same time. But Maggie, who has no taste for the deception, tips Ambrose off and a wild chase ensues. At the end, Ambrose is very happy as he can now marry his "sister."

The wives of several high-powered doctors feel neglected due to their husbands' focus on their careers, so they embark on a regimen of sex, drugs and booze.

Officer Jim Wade is a loose cannon on the force with a reputation for roughing up suspects, informants, witnesses, and just about everybody else who rubs him the wrong way. When women start being killed by a mysterious serial murderer called The Slasher, Wade vows to put a stop to the killing spree, regardless of whether through legal means or not.

Director Charles Lederer's 1959 musical stars James Cagney as an unscrupulous longshoreman who'll resort to every dirty trick in the book to win his union's presidency.

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Naked City is a police drama series which aired from 1958 to 1963 on the ABC television network. It was inspired by the 1948 motion picture of the same name, and mimics its dramatic “semi-documentary” format. In 1997, the episode “Sweet Prince of Delancey Street” was ranked #93 on TV Guide’s “100 Greatest Episodes of All Time”.

A television anthology series hosted by Alfred Hitchcock featuring dramas, thrillers, and mysteries.

Pete and Gladys is an American situation comedy television series starring Harry Morgan and Cara Williams that aired on CBS on Mondays at 8:00 p.m. Eastern and Pacific time for two seasons, beginning on September 19, 1960. The last episode was broadcast on September 10, 1962.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.