Jane Darwell

In turn of the century London, a magical nanny employs music and adventure to help two neglected children become closer to their father.

A posse discovers a trio of men they suspect of murder and cow theft and are split between handing them over to the law or lynching them on the spot.

Tom Joad returns to his home after a jail sentence to find his family kicked out of their farm due to foreclosure. He catches up with them on his Uncle’s farm, and joins them the next day as they head for California and a new life... Hopefully.

The spoiled daughter of a Georgia plantation owner conducts a tumultuous romance with a cynical profiteer during the American Civil War and Reconstruction Era.

Mary Barrett is an aspiring opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their relationship develops into love. But, jealousy and misunderstandings prevent Mary and Guilio from acknowledging their true feelings.

Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.

A precocious youngster organizes a show to save a government youth camp from a local entrepreneur.

Bob Van Buren's rescue of an upper-class Turkish girl and her duenna in Constantinople when they are waylaid by robbers paves the way for a romance between them. The romance progresses rapidly despite the hullabaloo raised by Demetra's father and by the Turk fiancé he is trying to force upon her; but the very thought of a girl, so highly educated, so gifted with needle and loom, so famously graceful as a dancer ending up in a harem instead of a respectable home, drives Bob Van Buren to desperation.

A Justice of the Peace performed weddings a few days before his license was valid. A few years later five couples learn they have never been legally married.

When the Lemon Drop Kid accidentally cheats gangster Moose Moran out of his track winnings, the Kid promises to repay Moose the money by Christmas. Creating a fake charity for "Apple Annie" Nellie Thursday, the Kid tricks his gang into donning Santa suits and "collecting dough for old dolls" like Nellie who have nowhere to live.

Three outlaws on the run discover a dying woman and her baby. They swear to bring the infant to safety across the desert, even at the risk of their own lives.

A single mistake puts a 19-year old girl behind bars, where she experiences the terrors and torments of women in prison.

Burke's Law is an American detective series that ran on ABC from 1963 to 1965 and was revived on CBS in the 1990s. The show starred Gene Barry as Amos Burke, millionaire captain of Los Angeles police homicide division, who was chauffeured around to solve crimes in his Rolls-Royce Silver Cloud II.

An American radio–television anthology series, created in 1947 by Canadian director Fletcher Markle, who came to CBS from the CBC. Studio One, presented by Westinghouse, was one of the first of the anthology TV programs. The episodes were often abridged remakes of movies from years gone by and many future well-known television and movie actors appeared in the productions.

Lassie is the pet of Jeff Miller, an 11-year-old farm boy. The two become best friends and enjoy family adventures in the American countryside, teaching each other about love, nature and commitment.

Climax! is an American anthology series that aired on CBS from 1954 to 1958. The series was hosted by William Lundigan and later co-hosted by Mary Costa. It was one of the few CBS programs of that era to be broadcast in color. Many of the episodes were performed and broadcast live.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.