Acting
Aug 11, 1907
Saint Louis, Missouri, USA
Joe Besser
Acting
Biography
Joe Besser (born Jessel Besser, August 12, 1907 – March 1, 1988) was an American actor, comedian, and musician, known for his impish humor and wimpy characters. He is best known for his brief stint as a member of The Three Stooges in movie short subjects of 1957–59. He is also remembered for his television roles: Stinky, the bratty man-child in The Abbott and Costello Show, and Jillson, the maintenance man in The Joey Bishop The zany comedy team of Olsen and Johnson, whose Broadway revues were fast-paced collections of songs and blackouts, hired Joe Besser. His noisy intrusions were perfect for their anything-can-happen format. Besser's work caught the attention of the Shubert brothers, who signed him to a theatrical contract. Columbia Pictures hired Besser away from the Shuberts, and Besser relocated to Hollywood in 1944, where he brought his unique comic character to feature-length musical comedies. Besser also starred in short-subject comedies for Columbia from 1949 to 1956. Besser had substituted for Lou Costello on radio, opposite Bud Abbott, and by the 1950s he was firmly established as one of the Abbott and Costello regulars. When the duo filmed The Abbott and Costello Show for television, they hired Joe Besser to play Oswald "Stinky" Davis, a bratty, loudmouthed child dressed in an oversized Little Lord Fauntleroy outfit, shorts, and a flat top hat with overhanging brim. He appeared during the first season of The Abbott and Costello Show. Besser was cast for the role of Yonkel, a chariot man in the low-budget biblical film Sins of Jezebel, which starred Paulette Goddard as the titular wicked queen. After Shemp Howard died of a heart attack, Moe suggested he and teammate Larry Fine continue working as "The Two Stooges". Studio chief Harry Cohen rejected the proposal. Although Moe had legal approval to allow new members into the act, Columbia executives had the final say about any actor who would appear in the studio's films, and insisted on a performer already under contract to Columbia, Joe Besser. At the time, Besser was one of a few comedians still making comedy shorts at the studio. Besser refrained from imitating Curly or Shemp. He continued to play the same whiny character he had developed over his long career. He had a clause in his contract prohibiting being hit excessively. Besser recalled, "I usually played the kind of character who would hit others back". The Stooges shorts with Besser were filmed from the spring of 1956 to the end of 1957. His Stooge tenure ended when Columbia shut down the two-reel-comedy department on December 20, 1957. Producer-director Jules White had shot enough film for 16 comedies, which were released a few months apart until June 1959, with Sappy Bull Fighters being the final release. Joe Besser was found dead in his home, aged 80, and determined to have died of heart failure.
Feature Films (67)
When bookseller Buzz cons Diana into thinking that his friend Stanley knows all there is to know about Africa, they are abducted and ordered to lead Diana and her henchmen to an African tribe in search of a fortune in jewels.
Africa Screams
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Let's Make Love
Woody Harrelson hosts a special tribute to the Three Stooges in honor of their 75th Anniversary. In addition to classic Stooges routines, there are feature film clips, ultra-rare shorts, solo appearances, and TV performances, rare home movies, and interviews with Stooge family members and special guest stars. A must for any Stooge fan? Why soitenly!
Three Stooges 75th Anniversary Special
An enigmatic young man manipulates his way into working at the decaying mansion of a once prolific, but now reclusive and alcoholic, movie star named Katharine Packard. While the rest of the house staff become suspicious of Vic's intentions, the aging movie queen is smitten. But as Vic begins behaving in more and more erratic ways, it becomes clear that he's far more sinister than his demeanor implies.
Savage Intruder
After his best friend and war buddy is mysteriously gunned down, Mike Hammer will stop at nothing to settle the score for the man who sacrificed a limb to save his own life during combat. Along the way, Hammer rides a fine line between gumshoe and a one-man jury, staying two-steps ahead of the law—and trying not to get bumped off in the process.
I, the Jury
Television & Series (27)
My World and Welcome to It is an American half-hour television sitcom based on the humor and cartoons of James Thurber. It starred William Windom as John Monroe, a Thurber-like writer and cartoonist who works for a magazine closely resembling The New Yorker called The Manhattanite. Wry, fanciful and curmudgeonly, Monroe observes and comments on life, to the bemusement of his rather sensible wife Ellen and intelligent, questioning daughter Lydia. Monroe's frequent daydreams and fantasies are usually based on Thurber material. My World — And Welcome To It is the name of a book of illustrated stories and essays, also by James Thurber. The series ran one season on NBC 1969-1970. It was created by Mel Shavelson, who wrote and directed the pilot episode and was one of the show's principal writers. Sheldon Leonard was executive producer. The show's producer, Danny Arnold, co-wrote or directed numerous episodes, and even appeared as Santa Claus in "Rally Round the Flag."
My World and Welcome to It
December Bride is an American sitcom that aired on the CBS television network from 1954 to 1959, adapted from the original CBS radio network series that aired from June 1952 through September 1953.
December Bride
Aside from doubling the length of each episode, The New Scooby-Doo Movies differed from its predecessor in the addition of a rotating special guest star slot; each episode featured real-life celebrities or well known fictional characters joining the Mystery, Inc. gang in solving the mystery of the week. Some episodes, in particular the episodes guest-starring the characters from The Addams Family, Batman, and Jeannie, deviated from the established Scooby-Doo format of presenting criminals masquerading as supernatural beings by introducing real ghosts, witches, monsters, and other such characters into the plots.
