Juli Básti

This film tells the story of a few uneventful days in the life of six pals. Lali, a great fan of America, owns a sandwich stand on the side of the road, called The Glass Tiger. Gaben pinches cars; Fox is a petty swindler; Sanyi a half-wit homeless; Coco can't shut up about getting some dough and going to America; Slimmy keeps playing the saxophone, despite the others' frayed nerves. Gaben talks Lali into buying an old Chevrolet Impala, the real American dream. After the long escapade of getting the car, Lali doesn't even get the chance to try the Chevvy out, because a truck completely demolishes it. Fox in the meantime is looking excitedly for the "Wreck", what he has been trying to sell for big money. But Lali has sold what he thought to be scrap, not good for anything. Fox is threatened by some tough guys to bring it back or pay up. He has to get money at all costs...

In the sequel to the surprise hit Üvegtigris (2001), we witness the 6 losers again as they run amok around the roadside buffet, which again fails to make their dreams come true, but which serves as the basis and end station of numerous funny adventures.

Directed, written, and co-produced by Zoltan Kamondi), Kisertesek ("Temptations") illustrates the struggle between ancient traditions and the modern world of restless young Marci (Marcell Miklos), a fatherless young man who is considered somewhat of an outcast within the community.

A popular writer with lack of inspiration and his never-seen son meets unexpectedly. From there they have to deal with living with the other in joy, in emtions and with the imagination of the child, this tales goes beyond reality.

A typist girl who is under the influence of nervous breakdown walks out to the street stark naked from the office she works in. A young physician goes by accidentally and tries to help her, spreading his coat over her nude body. From this moment his life changes completely.

Laura is personnel manager in a hospital. Her father-in-law was a high ranking cadre, her mother-in-law is an influential functionary, it is only her husband - director of an archives - who is unfit for everything. Laura does not like to be home. During one of her rovings she meets her former classmate, who wants to break into the world of pop music with a new band.

This epic story takes place between 1820 and 1860 during the Habsburg Monarchy, and portrays the life one of the greatest Hungarian aristocrats - Count Széchenyi - who was born with extra-ordinary mental and spiritual talents. In the years following the fall of Napoleon the young count Széchenyi irresponsibly seduces his brother's wife, and the consequent scandal ruins his career as an army officer. After the sudden death of his humiliated lover Count Széchenyi drastically changes his character from that of a shallow young man into a responsible nobleman seeking to conquer his fate by creating great achievements in his remaining life.

The plot of the film starts at the beginning of the century, in the heyday of the Andrássy and Károlyi families, during the ever increasing crisis of the Austro-Hungarian Monarchy, and ends with the emigration of the Károlyi couple after the collapse of the 1918-19 revolutions. It tells the story of this historical period (war, revolution, take-over by the proletariat, dictatorship) from the view of an extremely wealthy lady, Andrássy Katinka. The authors tried to evoke the special story during which a strange and unique woman gets thoroughly involved in history through her love and at the same time keeps her own identity and self-governance.

In the first half of the fifties Júlia, the weaver meets engineer Szél on a visit with "educative" purpose, who raises his three children alone in a mighty villa. Júlia is willing to take care of the adolescent children and she moves in to the villa. She falls in love with the man but he is not able to express true, deep feelings.

At a dusty crossroads in the Soviet Union villagers surrender their possessions - a horse, a samovar, a goat - to the state. The train which takes them away brings to the village a physically and mentally handicapped woman, barely able to speak. She makes herself bracelets of burrs and studies herself in a cracked and cloudy mirror. Befriended by very few, teased and tormented by many she seeks protection at a huge portrait of Stalin.

A focus on the tormented lives of intellectuals who failed to protest recent troubles in their homeland. Jancsó emphasizes highly evocative and ambiguous imagery over dialog or exposition as he – through visually fascinating imagery – depicts the painful, stunted lives of Hungary's intellectuals who have remained silent and ineffectual during various political crises.

Gertrúd is a middle-aged music teacher. She lives with her art-restorer husband and their teenage son. She is weary of family life, and her relationship with her husband leaves much to be desired. Gertrúd’s settled world is turned upside down when a former student of hers, the beautiful Albán, suddenly shows up. Her presence prompts questions about the past, present, and future. Reality, memories and dreams intermingle dangerously, and the old family roles slowly begin to change. “I wanted this film to be like an enchanted box full of stories and surprises”, Péter Gothár explains. “Its drawers are meant to open in a mysterious rhythm, offering joy and food for thought. First, there was the music of Bartók, which then became the film's main organizing element. It formed around the music – this whole family story full of love and irony”.

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The chronicles of the lives of young urban adults in Budapest.

No overview available.