
Acting
Jul 23, 1930
Campos dos Goytacazes, Rio de Janeiro, Brazil
Jece Valadão
Acting
Biography
Jece Valadão, born Gecy Valadão, (July 24 1930 — November 27 2006) was a Brazilian stage, film, and television actor, director, screenwriter and producer. He was famous for portraying womanizing, scoundrel types, and was proud of embodying this stereotype.
Feature Films (63)

Released from the Mental Health Wing of São Paulo State Penitentiary after forty years, the sadistic undertaker Zé do Caixão is back on the streets, haunted by ghostly visions and spirits of past victims but still set upon the goal that sent him to prison in the first place: finding a woman who can give him the perfect child.
Embodiment of Evil

"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Celebração - 100 Anos do Cinema Nacional

Upon learning that his rich dad is on the brink of bankruptcy, spoiled Vavá summons his friend Jandir with a plan to get some quick cash: they will blackmail an uncle of Vavá by taking compromising photos of his lover, Leda.
The Unscrupulous Ones

After being exiled for 26 years, Tieta returns to her native village in Bahia, bringing chaos and upheaving the local order.
Tieta of Agreste

A gang, leaded by the unknown and mysterious Anjo, robs a jewelry and schedules a meeting in the Copacabana Palace Hotel, in Copacabana. The identification would be through a cigarette case with an angel, and the password "- Is everything all right?" Meanwhile, the director Ricardo is preparing a show for the carnival in the hotel with Marina, and they love each other. The janitor Serafim receives a letter from his unknown American brother, who will come to Rio to spend the carnival and meet him, and asks Eliana for a chance in the show, since his brother believes he is an artist. When Ricardo finds the cigarette case lost by Anjo in the entrance of the hotel, he is misidentified by the thieves, and this is the beginning of lots of confusion and fun.
Carnaval no Fogo

The importance of the Cannes Film Festival in world terms and what it represented for Brazil in 1971. For Brazilian cinema, Cannes 71 represented the transition from film to industrialized production. It is the meeting of producers, technicians, critics , celebrities in general, offering opportunities for greater knowledge and renewal of values
Brazil in Cannes

Intent on offering his fiancée a better life, countryman heads for Rio de Janeiro in search of a place in the sun...
I Loved a Bookie

On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.
Rio, 100 Degrees F°

A talented songwriter of sambas is forced to face the social injustices of the city around him.
Rio, Northern Zone

After a powerful outlaw dies, a reporter interviews his lover and gets three different stories about the legendary man.
Golden Mouth

Three men who never met each other are hired by a mysterious client to carry out a daring bank robbery.
Mulheres & Milhões
Television & Series (13)

Adaptations of 40 short stories of brazilian playwright Nelson Rodrigues, written between 1951 and 1961. The stories were considered scandalous at the time as Rodrigues used immoral characters and black humor to satirize the hypocrisy and repression in people's daily lives.
A Vida Como Ela É...

Anesio Gebara is well known in Rio de Janeiro: he owns a samba school and he bankrolls an illegal lottery. This drama series follows this man--who is seen throughout the city as a mob boss and probable drug trafficker--his family and his complicated relationship with his sons.
Sons of Carnaval

In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.










