Billie Burke

Young Dorothy finds herself in a magical world where she makes friends with a lion, a scarecrow and a tin man as they make their way along the yellow brick road to talk with the Wizard and ask for the things they miss most in their lives. The Wicked Witch of the West is the only thing that could stop them.

Proud father Stanley Banks remembers the day his daughter, Kay, got married. Starting when she announces her engagement through to the wedding itself, we learn of all the surprises and disasters along the way.

Newly married Kay Dunstan announces that she and her husband are having a baby, leaving her father to come to grips with the fact that he will soon be a granddad.

Madcap couple George and Marion Kerby are killed in an automobile accident. They return as ghosts to try and liven up the regimented lifestyle of their friend and bank president, Cosmo Topper. When Topper starts to live it up, it strains relations with his stuffy wife.

An acerbic critic wreaks havoc when a hip injury forces him to move in indefinitely with a Midwestern family.

Based on the 1913 play The Land of Promise by W. Somerset Maugham about Nora Marsh and her life which ends in a farm.

Society miss Sadie Love has just wed Prince Luigi Pallavincini when she gets a phone call from Jimmie Wakely, a suitor she has not seen in a year. She allows him to come by and declare his love but doesn't bother telling him she has just gotten married. Without giving it much thought, she decides she likes Wakely better and runs off with him.

Pretty Polly Marsden is ardently pursued by three different Romeos, but she coyly refuses to choose between them. When they insist that she give them her answer, she arranges an impromptu automobile race: whichever one of the three can overtake her speeding roadster will be the man whom she will marry.

Several young couples have gathered at a vacation home in the mountains. The group of friends go climbing, but Phyllis Ashbrook and John Manning leave the others behind. They get lost and have to spend the night in a cabin. When they are brought back the next day, appearances compel them to marry, even though they are already engaged to others.

Eve's Daughter was the fourth and final screen teaming of Billie Burke and Thomas Meighan. This time out, Burke is cast as Irene Simpson-Bates, who is disheartened to learn that her millionaire father has left her with a mere $15,000. She is subsequently courted by two men: Poor but respectable John Norton (Thomas Meighan), and rich but disreputable Courtenay Urquahrt (Lionel Atwill, in his American screen debut).

In her first Paramount film, Billie Burke plays Helen Wentworth, an heiress who's bored with the high life and decides to enjoy a bit of the low life.

When the father of sixteen-year-old Annabelle Leigh (Billie Burke) is killed in a fight, miner John Rawson (Herbert Rawlinson) snatches her away from the scene and takes her to his cabin for the night. In the morning, she insists she was "compromised" by the situation, so he marries her. But after a spat, he tells her to leave and she goes to another city. Annabelle doesn't even know the name of the man she married; however, he strikes it rich and sends her money, which she spends on frivolous entertainment.

Stu Bailey and Jeff Spencer are the wisecracking, womanizing private-detective heroes of this Warner Brothers drama. They work out of an office located at 77 Sunset Strip in Los Angeles, California, right next door to a snazzy restaurant where Kookie works as a valet. The finger-snapping, slang-talking Kookie occasionally helps Stu and Jeff with their cases, and eventually becomes a full-fledged member of the detective agency. Rex Randolph and J.R. Hale also join the firm, and Suzanne is their leggy secretary.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.