Kerwin Mathews

Attendees at a horror-film convention in San Francisco keep disappearing. It turns out that the guest of honor is a real vampire, and his henchmen are kidnapping the convention guests. A horror writer, a Sherlock Holmes fan and an Israeli Nazi-hunter set out to stop him.

A crusty, eccentric priest recruits three reluctant convicts to help him rescue a children's leper colony from a Pacific island menaced by a smoldering volcano.

Alan Mitchell returns to New York to work for his father Walter, the owner of a fashion house that designs and manufactures dresses. To stay non-union, Walter has hired Artie Ravidge, a hood who uses strong-arm tactics to keep the employees in line.

Jake Remy leads a gang of outlaw cutthroats making their escape toward Mexico from a successful robbery. Barring their way is a river--crossable only by means of a ferry barge. The barge operator, Travis, refuses to be bullied into providing transport for the gang and escapes across river with most of the local populace--leaving Remy and his gang behind, desperately seeking a way across. A river-wide stand-off begins between the gang and the townspeople, both groups of which have left people on the wrong side of the river.

Desiring control of the kingdom, evil wizard Pendragon devises a cunning machination to usurp the throne. By abducting and forcing Princess Elaine to marry him, Pendragon will coerce the king into abdicating his power. When Pendragon sends a giant to kidnap Elaine, a simple farmer named Jack witnesses the abduction, and bravely slays the beast. Undeterred, Pendragon has more power and creatures at his disposal.

When a stranger enters a quiet, country town and is seduced by a sensuous married woman he unwittingly finds himself at the centre of a storm of sexual guilt and murder.

When the lovely Princess Parisa is shrunken by wicked Sokurah the Magician, Sinbad must embark on a quest to an island of monsters to cure her and prevent a war.

Government officials discover a horrible plot: the Chinese are tunneling their way to the United States.

Former war-time Army buddies now students in college decide to rip off a Reno casino.

Doctor Gulliver is poor, so nothing - not even his charming fiancée Elisabeth - keeps him in the town he lives. He signs on to a ship to India, but in a storm he's washed off the ship and ends up on an island, which is inhibitated by very tiny people. After he managed to convince them he's harmless and is accepted as one of their citizens, their king wants to use him in war against a people of giants. Compared to them, even Gulliver is a gnome.

U.S. spies catch a Moscow-born U.S. citizen helping spies, and they force him to counterspy.

A scientific team in Mexico discover a pool of unusual baby "octopus-like" specimens. Gathering a few for analysis back at the lab, it is soon discovered that the critters belong to a gangly six-foot half man/half octopus-like creature, that's pretty angry and wants her 'babies' returned…

When an assassin's bullet confines him to a wheelchair for life ending his career as Chief of Detectives, Robert T. Ironside becomes a consultant to the police department. Detective Sergeant Ed Brown and policewoman Eve Whitfield join with him to crack varied and fascinating cases. Ex-con Mark Sanger is employed by the chief as home help but eventually becomes a fully fledged member of the team also. Officer Whitfield leaves after 4 years service, and is replaced by Officer Fran Belding.

Matinee Theater is an American anthology series that aired on NBC during the Golden Age of Television, from 1955 to 1958. The series, which ran daily in the afternoon, was frequently live. It was produced by Albert McCleery, Darrell Ross, George Cahan and Frank Price with executive producer George Lowther. McCleery had previously produced the live series Cameo Theatre which introduced to television the concept of theater-in-the-round, TV plays staged with minimal sets. Jim Buckley of the Pewter Plough Playhouse recalled: When Al McCleery got back to the States, he originated a most ambitious theatrical TV series for NBC called Matinee Theater: to televise five different stage plays per week live, airing around noon in order to promote color TV to the American housewife as she labored over her ironing. Al was the producer. He hired five directors and five art directors. Richard Bennett, one of our first early presidents of the Pewter Plough Corporation, was one of the directors and I was one of the art directors and, as soon as we were through televising one play, we had lunch and then met to plan next week’s show. That was over 50 years ago, and I’m trying to think; I believe the TV art director is his own set decorator —yes, of course! It had to be, since one of McCleery’s chief claims to favor with the producers was his elimination of the setting per se and simply decorating the scene with a minimum of props. It took a bit of ingenuity.

The World of Hammer is a thirteen-part British documentary series created and written by Robert and Ashley Sidaway for Channel 4. Initially broadcast from 12 August to 4 November 1994, the series is narrated by English actor and frequent Hammer collaborator Oliver Reed.