Connie Chan Po-Chu

Director Wong Yiu, recognising the spending power of a new demographic, was looking to create a teenage sensation for the factory girls. It soon became a social phenomenon in the 1960s. Former child star Connie Chan Po-chu fitted the bill perfectly with her doe-eyed innocence framed by silky long hair. In Girls are Flowers, she plays a young tutor falling in love with a handsome boy. However, their road to romance is paved with potholes and speed bumps. Chan's fellow former child star Nancy Sit plays the boy's younger sister who saves the day with her shrewd, nimble-minded plans. Sit's role may be small but with radiance from her glorious smile and beaming personality, she brightens up this musical romantic comedy like a fairy-tale nymph.

Expert of lithographic plates and counterfeit banknotes Lee Lik-hang is hunted down by the hitman Ma Biu on the orders of the gang leader Chan Lung. Cheng Wai-lun, witness to the crime and the unwitting custodian of the plate, finds himself wanted both by the police and the criminals. Seeking to unweave the web of intrigue is Kong Yin, cousin of Cheng's fiancée Cheung Mei-ling and the famed 'Lady Bond' who poses as the gambler Judy and doubles as a singer at Chan's nightclub. Kong identifies the boss as the culprit but is forced to flee following a failed attempt to obtain the needed evidence. Both Ma and detective Chow To reach Cheng who chooses police detention over abduction by the gang. Cheng evades Chan's underlings and hands the hitmen over to the authorities. Cheung's abduction results in a fierce battle when Chow and his squad arrive at the criminal den, arresting the gang leader and retrieving the lithographic plate.

A 1967 Cantonese language action film directed by Cheung Wai-Gwong, starring Connie Chan, Adam Cheng and Liu Chia-Liang. Ming-Wai & Ming-Sing, a brother and sister (dual roles played by Connie Chan) who must go undercover in a gang to rescue their uncle.

Hong Kong comedy starring Connie Chan Po-chu

He steals from the rich and gives to the poor! Like Robin Hood, the title hero of The Lizard is a philanthropic thief, except the Lizard makes his rounds in 1930s Shanghai. Corrupt police chief Chen Can (Law Lit) is assigned to bring down the Lizard to appease the sinister Japanese forces, but the Lizard constantly eludes his grasp. Little does Chen Can know that the wily thief actually works for him! The Lizard's true identity is the mousy Cheng Long (Ngok Wah), who dons a mask and takes to the streets to spread his righteous message.

A female thief who dresses as a cat, beats-up a lot of people, and robs from the rich.

A female thief who dresses as a cat, beats-up a lot of people, and robs from the rich.

Further adventures of Lady Black Cat.

Hong Kong movie

This is a Cantonese musical from director Wong Yiu

Centring on the legend of the four ancient Chinese heroines, the film was a novelty for audiences at the time, as the singing performance was in Cantonese and used huangmei operatic rhythms—a popular trend in the 1960s, yet it retained traditional flavours by using operatic luogu percussion in the battle scenes. ‘Movie-fan princess' Connie Chan Po-chu not only sings Cantonese song and huangmei tone solos in the film, she also wows the audience by taking up the doumadanrole for the first time as the Tang dynasty female general Fan Lei-fa, showing off her superb operatic martial skills, together with Shum Chi-wah, inherited from Peking opera master Fen Ju Hua. Yu Kai's weaponry prowess and renowned female comedian Tam Lan-hing cross-dressing as a male general are also brilliant in this gem.

Lee Kap-lan, whose parents are slaughtered by the underling of the Qing court, Yan Sheung-kong, is rescued from the carnage by Leopard-faced Magic Nun. Nun imparts martial artistry to Lee, who will kill the old enmity when she grows into womanhood. Yan and his half-brother Luk Sun are assigned to capture the survivor. Fong-ping comes under the attack of an assassin dispatched by Sun when Butterfly comes to his help. Recruited to the Yan den, Ying Tin-lung summons the knights-errant of the martial world to the court. Lee infiltrates the congregation and has her eyes fixed upon Sun and strikes him with the Soul-snatching Tai Chi Dart which has mistakenly wounded Fong-ping. Butterfly puts Lee into a drug-induced coma to obtain the antidote to treat Fong-ping. Ying seizes the chance to capture the women. Fong-ping sustains another injury to rescue the hostages. Nun arrives in time and seizes the Lee family heirloom. Lee avenges her parents' death.

Revisit 100 years of Chinese cinema through the RTHK TV program A Century of Light and Shadow. Aired in 2005, this interesting and informative documentary traces the development of the Chinese film industry from the pioneering years to contemporary times. From the volley between Mandarin and Cantonese films to the rise of the New Wave, this program touches on all the major trends and developments that have helped define Chinese cinema and explores different genres and representative figures and films. From actors to directors, over 200 film industry names, including Jackie Chan, John Woo, Sammo Hung, Connie Chan, Andrew Lau, Peter Chan, and Lau Ching Wan, appear in the program, bringing their intimate knowledge of the industry and providing insight about what lies ahead for Chinese cinema.