Lim Yu-Beng

China is in unrest, as the Republic falls prey to Warlords like Kahn Xin, who holds an entire province hostage to the opium trade—and destroys all who oppose him. Only the revered Wudang monks dare stand in Kahn’s way in order to protect the very soul of China. Among them is the Westerner, White Crane, a spiritual master of the martial arts and protector of the innocent. Revenge is not in Crane’s heart—until a mercenary army storms the temple and slaughters the beloved female Grandmaster Myling. Out of the ashes of the temple ruins, Crane rises—with vengeance in his heart. Crane comes upon Jane Marshall, a New York lounge singer and her gangster boss Bingo Quo. But it’s Bingo’s dangerous professional ties to Kahn that draw both Crane and Jane deep into the Warlord’s lair. Now torn between the spiritual Wudang teaching and the cold-blooded life of an assassin, Crane is about the cross the fine line between justice and revenge.

A group of strangers' lives fatefully intertwine as they navigate budding love, confront profound loss, and encounter old flames.

Inspired by true events, Solos explores relationships among three individuals who are struggling to open up their feelings towards each other. Filmmakers Kan Lume and Loo Zihan co-directed this pathos that dramatizes the selfishness of love and its tragic outcomes. Set in contemporary Singapore, Solos follows the endeavors of Boy, Man and Mother. Having been in a relationship with Man (Lim Yu Beng) for years, Boy (Loo Zihan) eventually grows up and wishes to quit the relationship. Conversely, Man still wants to be with Boy and for them to settle together. Meanwhile, Mother (Goh Guat Kian) is devastated that her son (Boy) has abandoned her and has been in relationship with Man. As the three characters fight their own demons, Solos juxtaposes reality and surreal scenes in order to give clues of each character’s inner desires. The film has minimum conversation to give freedom to the audience's individual interpretation of the film.

In a dingy motel room that is as hot and clammy as the jungle painted on its walls, a sexual threesome has been arranged to take place. Except that the two men lying in wait are officers from the Central Narcotics Bureau, ready to apprehend their suspect, who is going to show up with crystal meth at any moment. Staff Sergeant Boon is garrulous and relaxed; for him, this is a job just like any other. Inspector Anton, on the other hand, is preoccupied and tense, and is increasingly restless. As the wait for the suspect lengthens, it is apparent Anton has something infinitely more personal at stake. In what appears to be a routine crackdown operation, which walls will come tumbling down, and what thresholds will be crossed? In the film’s tropical swelter, how does one ascertain that everything one sees is not a mirage from a fragmenting mind?

An antiquities expert teams up with an art thief to catch a terrorist who funds his attacks using stolen artifacts.

Assigned to accompany two priests on a mission to convert the court of Kublai Khan to Christianity, Marco Polo is abandoned in the mountains when the priests, doubting the very existence of China, turn back. Polo eventually pushes bravely forth alone toward the fabled country where he is accepted as an envoy into Khan's court. Marooned on the far side of the world, Polo, accompanied by his servant, Pedro, advances as a Mongol grandee for twenty extraordinary years. What he eventually brings back with him to the West is a chronicle that changed history forever.

A once-average teen and his friends become paranormal detective and document their adventures in an online blog under the pseudonym “Mr. Midnight.”

American journalist Nick Orton is caught up in the world of Chinese gods and monsters while on a search for the long lost manuscript to 'Hsi Yu Chi' (The Journey to the West) by Wu Ch'eng En. He is accompanied on his journey by a humanoid ape with incredible strength and magical powers, a humanoid pig-man, and his brother-in-arms, an ex-cannibal. Based on one of the greatest stories in Chinese history.

Triple Nine is an English language television police procedural telecast on what was then the Television Corporation of Singapore's Channel 5 from 1995 to 1999. The station's earliest attempt in an action-based drama series, it revolved around the lives of a group of police officers, namely Inspector Mike Chin, Inspector Elaine Tay, and Sergeant Alan Leong from the Special Investigation Section of the Criminal Investigation Department. The cast changed in subsequent seasons, notably with the inclusion of Inspector Sean Han, Inspector Herbert de Souza, and Sergeant Yeo Lay Kim from the third season, and Sergeant Sarah Chan from the 4th season. Season 2 was written by Amos Kwok. The first season was also dubbed into Chinese and aired on Channel 8 in 1996.