Fréhel

Pépé le Moko, one of France's most wanted criminals, hides out in the Casbah section of Algiers. He knows police will be waiting for him if he tries to leave the city. When Pépé meets Gaby, a gorgeous woman from Paris who is lost in the Casbah, he falls for her.

Also known as Lilac, this early Anatole Litvak-directed talkie was based on a play by Tristan Bernard and Charles Henry Hirsch. The story bears traces of the Bertold Brecht-Weill piece The Threepenny Opera, with heroine Lilac (Marcelle Romeo) consorting with the criminal scum of Paris. Lilac falls in love with a handsome detective (Andre Luguet), but he doesn't let his emotions stand in the way of his duty, and in the end he reluctantly turns her over to the authorities. At $120,000, Coeur de Lilas was one of the most expensive movies to come out of France in 1931, but it more than made back its cost at the box-office.

Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...

The story focuses on a street in the Parisian banlieue where Italian and French workers live. Their neighborhood will soon be demolished and a mysterious character hides himself in this street.

No overview available.

A florist in a nightclub in Montmartre, a good, naive man is manipulated by a gang of gangsters who use him to smuggle drugs.

Jeanne supports supports his family on his modest salary. Her boss is arrested for fraud. Jeanne is forced, out of poverty, in the street.

Dr. Holk leads an isolated and lonely existence in a small, Dutch colony in the tropics. Having fled from love and civilization, his only companions now are alcohol and his work, which takes him to villages ravaged by dirt, fever and a strange illness which turns innocent people into madmen: Amok. One day, he is called on by Helene Haviland, who asks him to abort her lover's child before her husband returns from abroad. Even though Holk is enchanted by her seductive beauty, he haughtily refuses her request. Rejected, the woman turns to a Chinese practitioner. When Holk tracks her down in a dirty dive, it's already too late for the two of them.

Abandoned children, left to their own devices and a life of danger, are adopted by a kind man.

François and Victor sell hard candy at the fun fair. They also bring up Gisèle, a one-year-old child they found by the side of the road. Although the two men are often at each other's throats they are the best friends, getting on well with the other fairground people. But when they defend Lisa, the fortune teller's daughter against Dédé, a thug who pesters her, they provoke his anger. Dédé sets fire to the two friends' stand and they are forced to take the road.

Based on a venerable Legend of the Sea, the story concerns a pliable prostitute named Bella (Romance) who is all things to all men. No matter what sort of woman her client wants, she will become that woman -- at least for the night. When a middle-aged man named Jean insists that Bella is his long-lost sweetheart, she plays along, hoping to escape her sordid lifestyle. The emotional tragedy that follows is meant to explain how Bella became "Maya," the living embodiment of Lost Souls.

A Parisian baker boy, tired of his monotonous and hopeless life, kills the owner of a hotel to rob him. A woman of questionable morals noticed his absence. To buy his silence, he makes her his friend. Rivaled by their secret and not really loving each other, they indulge in imprudences which throw them into the hands of the police.