Noel Fielding

The rebirth of Amnesty International's legendary SECRET POLICEMAN'S BALL at the Royal Albert Hall on 14th October - after a 15 year hiatus - was a resounding success. Bigger, Better and Ballsier than ever before, 'The Ball In The Hall' is a non-stop, rapid-fire, relentless smorgasbord of comedy and music. 6,000 people turned up to create a fantastic atmosphere as some of the best contemporary comic and music talent from both sides of the Atlantic delivered one show-stopping performance after another. Featuring never-before-seen collaborations, brand new sketches, explosive stand-up, off-stage performances, surprise ingredients and an anthem for the world, there has been nothing like it in the comedy world for years.

An all-singing, all-dancing, star-spangled musical leap around the biblical story of the Nativity, set in 1972. With a comic twist, this familiar story is brought to life through the eyes of the innkeeper. Despairing after a bad year, he contemplates suicide but his attempt is stalled by a voice from above who points out that King Herod is coming to town.

A young shut-in takes an imaginary road trip inside his apartment, based on mementos and memories of a European trek from years before.

In this live boosh presentation you will see Howard wrestle with the problems of the universe in tiny shorts while Vince gets his hair extra big and flounces about, Bob fossil's dance moves will turn you on then anger you over and over until you puke. You shall then weep with salty joy as Bollo and Naboo move about and say stuff in their own special way. The Boosh are mighty and sailing at you, strap your eyes onto your brain double tight cos its gonna get choppy like electric sushi.

Follow the moment Barrett was kicked out of Pink Floyd, from the narrative of him going from groundbreaking musician to iconic rocker and manic, unstable star.

The Boosh returned to the stage in 2006, touring the UK for the first time. Though drawing heavily from their earlier material, the main story combined these elements into a new narrative.

Shot during the mammoth Future Sailors tour, this intimate film observes the comic genius of the Mighty Boosh as they navigate a nation hooked on its cult.

The story of Pete Sweet and his torrid relationship with Poppy, the imaginary sister of his friend Dave.

One summer, mother and ex dancer Eileen lapses back to a troubled past as she starts a new relationship... we watch as she and her family combust. The film, shot on a micro budget, treads between darkness and humour as it moves from its beginning in the suburban cricket club to its conclusion at a music festival.

Sketch-show sensation Catherine Tate tells the story of the decade in which she became a household name. She meets with comedy glitterati Alan Carr, David Walliams, Noel Fielding, Rob Brydon and her Doctor Who co-star, David Tennant, all of whom reflect on the greatest comedy moments in recent history. As well as showcasing all the most entertaining, memorable comedy of the time, the documentary also features newsreel and pop culture archive that contextualises the gags. It reveals not just what was funny, but why it was funny. Catherine's journey provides new insight and revelations and features anecdotes from some of the biggest names in comedy.

Will Plunkett and Captain James Macleane, two men from different ends of the social spectrum in 18th-century England, enter a gentlemen's agreement: They decide to rid the aristocrats of their belongings. With Plunkett's criminal know-how and Macleane's social connections, they team up to be soon known as "The Gentlemen Highwaymen". But when one day these gentlemen hold up Lord Chief Justice Gibson's coach, Macleane instantly falls in love with his beautiful and cunning niece, Lady Rebecca Gibson. Unfortunately, Thief Taker General Chance, who also is quite fond of Rebecca, is getting closer and closer to getting both.

A live stand-up comedy and music gig to celebrate Amnesty International's 50th Anniversary.

Shooting Stars is a British television comedy panel game broadcast on BBC Two as a pilot in 1993, then as 3 full series from 1995 to 1997, then on BBC Choice from January to December 2002 with 2 series before returning to BBC Two for another 3 series from 2008 until its cancellation in 2011. Created and hosted by double-act Vic Reeves and Bob Mortimer, it uses the panel show format but with the comedians' often slapstick, surreal and anarchic humour does not rely on rules in order to function, with the pair apparently ignoring existing rules or inventing new ones as and when the mood takes them.

Soccer AM is a British Saturday-morning football-based comedy/talk show, predominantly based around the Premier League. Originally presented by Jane Hoffen, Gary Stevens and Russ Williams, they lasted just a year before Helen Chamberlain and Tim Lovejoy replaced them, where Lovejoy served for over a decade. He has since been replaced by Andy Goldstein and, more recently, Max Rushden. The show has been aired on Sky Sports 2 each Saturday morning of the football season since 1995 from 7:00am or 9:00am to noon originally and currently between 10:00am and 12:00pm. In early 2009, the 500th episode was broadcast. Although the show is filmed live from 2010 it has been broadcast on a momentary delay due to bad language and/or inappropriate content from certain guests. The show's current sponsor is Procter & Gamble through their Head & Shoulders brand. The show was previously sponsored by Frijj, a brand of milkshake, after Dairy Crest signed a £2 million sponsorship deal. Parts of the show have remained since the beginning, whilst new items have been introduced each season. In that respect, it is almost the same every week, the difference being new football footage and comedy skits. Every week sees a new group of celebrity guests, generally featuring at least one footballer who is free on the Saturday, and a mix of musicians, TV personalities, and other sportsmen.

Never Mind the Buzzcocks is a comedy panel game show with a pop and rock music theme. The show is infamous for its dry, sarcastic humour and scathing, provocative attacks on the pop industry.