Acting
May 2, 1902
New York City, New York, USA
Jack La Rue
Acting
Biography
Jack La Rue (born Gaspere Biondolillo) was an American stage, screen, and television actor. La Rue went from high school to his first acting job, in Otis Skinner's road company production of Blood and Sand. He performed in Broadway plays from around 1923 to 1931. According to La Rue, while appearing in Mae West's play Diamond Lil, he was spotted by Howard Hawks, who offered him a part in the film Scarface, starring Paul Muni. He moved to Hollywood, where he appeared in numerous films. However, Scarface was not one of them. La Rue stated in a newspaper article that, after four days, Hawks had to replace him with George Raft because La Rue was taller than Muni and had a more powerful voice. Later, however, Raft turned down the role of the despicable villain in The Story of Temple Drake, fearing it would damage his screen image, so the part went to La Rue. Sometimes mistaken for Humphrey Bogart, he played thugs and gangsters for the most part. However, director Frank Borzage atypically cast him as a priest in the 1932 version of A Farewell to Arms simply because, according to newspaper columnist Hubbard Keavy, he was "tired of seeing conventional characters". La Rue stated he turned down a role in The Godfather and many parts in the television series The Untouchables because of the way they portrayed Italian-Americans. La Rue died of a heart attack at Saint John's Health Center in Santa Monica, California, at the age of 81. He was buried in Holy Cross Cemetery, Culver City, California.
Feature Films (126)
Broadway director Julian Marsh needs just one more hit show so he can retire and recover his health. It looks like he just may pull it off until temperamental star Dorthy Brock breaks her ankle on the eve of the show's premiere and has to be replaced by her understudy Peggy.
42nd Street
A policeman in need of money is persuaded to take a $1000 bribe to stay away the night a packing house is to be robbed.
Radio Patrol
Richard Dix as Dan Taylor and Preston S. Foster as Paxton Bryce are two longtime friends seeking their fortune in Texas after the war. The two men decide, not without problems, to establish a cattle empire. Paxton becoming too ambitious, distances himself from Dan and Abby, Paxton's wife. It will only be after a personal tragedy that he will come back to his senses.
American Empire
A tale of the World War I love affair, begun in Italy, between American ambulance driver Lt. Frederic Henry and British nurse Catherine Barkley. Eventually separated by Frederic's transfer, tremendous challenges and difficult decisions face each as the war rages on.
A Farewell to Arms
Sheriff Holt is determined to prove that prisoners can be rehabilitated and released into society in this prison drama. In charge of a new kind of program, the sheriff places inmates in a clean environment and makes them build a road. Despite the improved conditions, the criminals continue to pull off a few shady shenanigans as an innocent man who is sent there soon discovers.
Fugitive from a Prison Camp
Television & Series (10)
The Girl from U.N.C.L.E. is an American spy-fi TV series that aired on NBC for one season from September 16, 1966 to April 11, 1967. The series was a spin-off from The Man from U.N.C.L.E. and used the same theme music composed by Jerry Goldsmith, which was rearranged into a slightly different, harder-edged arrangement by Dave Grusin.
The Girl from U.N.C.L.E.
The cases of master criminal defense attorney Perry Mason and his staff who handled the most difficult of cases in the aid of the innocent.
Perry Mason
General Electric Theater is an American anthology series hosted by Ronald Reagan that was broadcast on CBS radio and television. The series was sponsored by General Electric's Department of Public Relations.
General Electric Theater
An anthology series that explored the ways sudden and unexpected wealth changed life for better or for worse. It told the stories of people who were given one million dollars from a benefactor who insisted they never know him, with one exception.
The Millionaire
Lights Out was an extremely popular American old-time radio program, an early example of a network series devoted mostly to horror and the supernatural, predating Suspense and Inner Sanctum. Versions of Lights Out aired on different networks, at various times, from January 1934 to the summer of 1947 and the series eventually made the transition to television. In 1946, NBC Television brought Lights Out to TV in a series of four specials, broadcast live and produced by Fred Coe, who also contributed three of the scripts. NBC asked Cooper to write the script for the premiere, "First Person Singular", which is told entirely from the point of view of an unseen murderer who kills his obnoxious wife and winds up being executed. Variety gave this first episode a rave review ("undoubtedly one of the best dramatic shows yet seen on a television screen"), but Lights Out did not become a regular NBC-TV series until 1949.
