Los ricos también lloran

Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

Mi Pequeña Traviesa is a Mexican youth and family telenovela produced and directed by Pedro Damián for Televisa and originally broadcast on Canal de las Estrellas from December 8, 1997, to April 24, 1998. It is an adaptation of the Argentine telenovela Me llaman Gorrión, created by Abel Santa Cruz. The telenovela stars Michelle Vieth and Héctor Soberón. The story follows Julia González, a young woman whose dreams of pursuing a professional career are interrupted after her father is left paralyzed in an accident. To support her family, she disguises herself as a boy in order to find work. Along the way, she falls in love with Alberto Miranda, and together they must overcome social differences, family conflicts, and the many obstacles that stand in the way of their happiness.

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

Nunca te olvidaré is a Mexican telenovela produced by Juan Osorio for Televisa in 1999. It is based on a novel by Caridad Bravo Adams and starring Edith González, Fernando Colunga and antagonistic interests of Alma Muriel, Eugenia Cauduro and Humberto Elizondo.

Emiliano, a wealthy Mexican businessman, is ripped off by his friends and partners. Hidden in Bogotá, he receives help from Rosario, a mariachi singer. She does not know Emiliano’s background and that he is wanted by the police of two countries and by a criminal organization. With a new name and personality, he adapts well to his new life as a mariachi band member and finds in Rosario the love of his life. But he is afraid his secret will tear them apart. He needs to clear his name and resolve his case to avoid that fate. Meanwhile, he often finds his love tested and vulnerable to several rivals, but Rosario always trusts that he has been honest with her.

Paulino Córdoba, Gabino Roura, Rodolfo Huerta, and Matías Quiroga have been friends since childhood; however, as adults, their priorities shifted, and a sin now threatens to destroy their friendship. Paulino owns the El Milagro apple hacienda and is married to Rosario; they have two children, César and Lucrecia. Rosario has always favored her son while openly rejecting her daughter. Lucrecia was raised by Delfina, Rosario’s maid and Manuel’s mother.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.