Love Without Makeup

Las secretas intenciones is a Mexican telenovela produced by Lucy Orozco for Televisa and originally broadcast on Canal de las Estrellas from August 17 to November 27, 1992. Created by Alberto Rudich and directed by Francisco Franco, the telenovela stars Yolanda Andrade and Cristián Castro in their first leading roles. The story follows Larisa Cardenal and Miguel Ángel Curiel, two young people whose romance is threatened by family conflicts, hidden secrets, and the manipulations of Antonieta Alcántara, a woman determined to take revenge on Larisa's family. As long-buried truths come to light, their lives become entangled in a web of love, betrayal, and ambition.

The series follows 14-year-old Emma Alonso, as she moves to Miami and her life turns upside-down. Not only does she discover that she is a witch, she also has a crush on the boy next door, Daniel. But Daniel’s ex-girlfriend Maddie, who is an 'evil witch' and leader of the school clique the 'Panthers', is still willing to fight for the boy she loves.

La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

Alisa Lenz and luck? Her boyfriend cheats on her, then leaves her with a mountain of debts... She ruins her job application by angering the company's CEO... She loses the cut-glass pendant that was the only keepsake from her biological parents - and that was her good-luck charm... Decidedly, luck does not seem to smile on Alisa. But if you think this is enough to keep her from pursuing her goal of happiness and fulfillment, you don't know Alisa!

The telenovela revolves around the family dramas and corporate power struggles of two rival families. This rivalry dates back many years to when Arturo Montenegro and Eládio Gómez Luna vied for the love of the beautiful Ana Laura; ultimately, it was Eládio who married her. Years later, Ana Laura is deeply unhappy, enduring her husband's abuse and cruelty; her only solace is the love of her son Federico, who is the complete opposite of his father. Meanwhile, after being widowed, Arturo married the frivolous Nina, with whom he had three children: Rogelio, Ana Karen, and Paulina. Arturo is so consumed by his business affairs that he fails to notice the humiliations Nina and her children—Rogelio and Paulina—inflict upon Pedro, his son from his first marriage.

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Para toda la vida is a Mexican telenovela produced by Lucero Suárez and Juan Osorio for Televisa, in co-production with Megavisión, and originally broadcast on Canal de las Estrellas from April 15 to August 2, 1996. It is a remake of the 1985 telenovela Vivir un poco, which was itself based on the Chilean telenovela La madrastra by Arturo Moya Grau. The story follows Elena, a woman who is wrongfully convicted of murder during a trip to Chile. After spending fifteen years in prison, she returns to Mexico under a new identity to uncover who framed her, expose the truth behind the conspiracy that destroyed her life, and reunite with the family that believes she died years earlier.

Carrie Jung lost her husband and child. She now lives only take revenge on those responsible for their deaths. Carrie Jung raises Han Yoo Jin as a tool in her revenge plan. Han Yoo Jin is a smart and beautiful woman, but she falls in love with a man who she should not love.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

Apuesta por un Amor is a Mexican telenovela produced by Angelli Nesma Medina for Televisa in 2004. Patricia Manterola and Juan Soler starred as the protagonists, while Alejandra Ávalos, Roberto Ballesteros and Fabián Robles starred as the antagonists.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

La Mujer Del Vendaval is a 2012 Mexican telenovela produced by Mapat L. de Zatarain for Televisa. It is a remake of the Venezuelan telenovela Un Esposo para Estela. Ariadne Díaz and José Ron star as the main protagonists, while Chantal Andere, Marco Muñoz, Manuel Flaco Ibañez and Florencia del Saracho as the main antagonists.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Acorralada is an American telenovela produced by Venevisión. Univision aired Acorralada from January 2007 to October 2007 on weekday afternoons at 2 pm central. It was rebroadcast in late 2011 through April 2012 on Univision's sister network, Telefutura. It was filmed in Miami, Florida, and lasted about 187 episodes. It is the second long-running telenovela that Venevisión Productions has produced without its former co-producer Fonovideo.

María Mercedes, a poor girl who sells lottery tickets, meets a rich man who hates his own family and sees in María Mercedes an opportunity to make their lives miserable.