El hogar que yo robé

Buscando el paraíso is a Mexican youth telenovela produced by Luis de Llano Macedo and Marco Flavio Cruz for Televisa and originally broadcast on Canal de las Estrellas from November 8, 1993, to April 1, 1994. Directed by Benjamín Cann, the telenovela stars Pedro Fernández and Yolanda Andrade, with Karla Álvarez and Alejandro Ibarra in antagonist roles. The story follows Dalia and Andrea Montero Machado, two sisters with very different personalities. While Andrea is confident and charismatic, Dalia is shy and insecure. Dalia secretly falls in love with Ángel, Andrea's former boyfriend, who begins a relationship with her only to hurt her. After being abandoned and discovering she is pregnant, Dalia finds support in Julio, a humble and hardworking young man. However, jealousy, betrayal, and unresolved feelings threaten their chance at happiness.

La sonrisa del diablo is a Mexican telenovela produced by Ernesto Alonso for Televisa and originally broadcast on Canal de las Estrellas from February 24 to July 31, 1992. It is the second adaptation of the 1970 telenovela of the same name, originally created by Luisa Xamar, and was adapted by Fernanda Villeli and Marcia Yance. The story follows Déborah San Román, a beautiful and ambitious young woman who stops at nothing to achieve wealth and power. After marrying a wealthy widower while secretly maintaining a relationship with her unscrupulous lover, she manipulates and betrays everyone around her. As her web of lies and crimes grows, love, honesty, and justice begin to threaten her ruthless ambitions.

Las secretas intenciones is a Mexican telenovela produced by Lucy Orozco for Televisa and originally broadcast on Canal de las Estrellas from August 17 to November 27, 1992. Created by Alberto Rudich and directed by Francisco Franco, the telenovela stars Yolanda Andrade and Cristián Castro in their first leading roles. The story follows Larisa Cardenal and Miguel Ángel Curiel, two young people whose romance is threatened by family conflicts, hidden secrets, and the manipulations of Antonieta Alcántara, a woman determined to take revenge on Larisa's family. As long-buried truths come to light, their lives become entangled in a web of love, betrayal, and ambition.

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Días sin luna is a 1990 Mexican telenovela produced by Juan Osorio and directed by Rafael Banquells based on an original script by Eric Vonn. It was aired in Canal de las Estrellas Monday to Friday at 17:00 between May 14 and August 31, 1990.

Rosa is abandoned as a baby at a boarding school along with a payment of 18 white diamonds. Her mother is Rosaura Sotomayor, a distinguished socialite who needs to hide the fruit of her affair. Rosa grows up and befriends Eva Sotomayor, and both girls vow to live as sisters. Their lives change after they meet José Ignacio Altamirano, an attractive, intelligent and conquering man who takes advantage of Eva’s innocence. The rich heiress dies in a mysterious accident, and Rosa decides to take her identity to avenge her dear friend.

An Intelligence Agent is sent to El Principe, on the border with Morocco, to investigate a possible police collaboration with a terrorist cell but finds unexpected love in the least suitable person: a drug baron's sister.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

La Viuda Negra is a 2014 Spanish-language telenovela produced by RTI Producciones and Televisa for United States-based television network Univisión and for Colombia-based television network Caracol Television. It is an adaptation of the book La patrona de Pablo Escobar de José Guarnizo based on history from Griselda Blanco.

After her parents death, the little Cecilia is under the care of her aunts: Natalia and Evangelina. Evangelina is a cruel woman who doesn't love the child and she treats her bad. Unlike Evangelina, Natalia is good and will help Cecilia because she is her real mother. She was seduced and got pregnant by Padre Julio. Evangelina hates Padre Julio because in the past he preferred Natalia to her. Many years later, there is a problem, because Evangelina doesn't want to give Cecilia money to attend the University. But Cecilia wins a grant and she can study now. She is engaged and wants to marry Giovanni, but Evangelina is against. She will poison him with a drink. Then Cecilia meets and falls in love with Gerardo, who is engaged to Sofia. Sofia's parents are Marta and Armando. Armando returns home after abandoning his family for many years. Marta has a romance with Manuel, but Sofia and Armando are opposed. Ines and Renato, who are Gerardo's parents, also are opposed to his romance with Cecilia. She breaks up the romance and goes to sor Angelina's nunnery to become a nun. Sonia and Roberto try to separate Gerardo from Cecilia. Then Cecilia finds out the truth about her birth and meets padre Julio. Natalia discovers that Evangelina tries to appropriate the whole patrimony of Cecilia and Evangelina kills her.

Teresa Chavez is a young woman with an obsession for money and ambition. Despite her beauty and the fact that she was raised in the bosom of a loving family, she is resentful; her one desire is to leave her humble but poor neighbourhood.

La Impostora, is a Spanish-language telenovela presumably to be produced by United States-based television network Telemundo Studios, Miami.

A telenovela that dramatizes the romances and rivalries between two brothers and two sisters in Mexico between the years 1885 and 1900.

Mujer de Madera is a Mexican telenovela produced by Televisa in 2004. One unusual feature of this telenovela is that the main character is played by different actresses before and after her stay in hospital due to a forest fire.

Yo no creo en los hombres (I don't trust men anymore) is a Mexican telenovela produced by Giselle González for Televisa. It is based on Yo no creo en los hombres (1991), produced in México.

Paulino Córdoba, Gabino Roura, Rodolfo Huerta, and Matías Quiroga have been friends since childhood; however, as adults, their priorities shifted, and a sin now threatens to destroy their friendship. Paulino owns the El Milagro apple hacienda and is married to Rosario; they have two children, César and Lucrecia. Rosario has always favored her son while openly rejecting her daughter. Lucrecia was raised by Delfina, Rosario’s maid and Manuel’s mother.

Story of love between Marimar and Sergio. Sergio is from a wealthy family, and Marimar lives with her poor grandparents in a hut in front of the ocean.

Maricruz and Beatriz are school friends; Beatriz comes from a well-to-do family, whereas Maricruz belongs to a lower socioeconomic stratum. Both are on the verge of turning fifteen and are preparing to leave childhood behind. Issues within their family and social environments affect them directly; for Beatriz, her parents' marital breakdown becomes the primary obstacle to overcome, compounded by a sexual awakening fraught with taboos and misinformation. Meanwhile, Maricruz must contend with her mother's overprotectiveness and prejudices, as well as the tension caused by a neighbor who is obsessed with her.

Rebeca murders her sister Adriana to end up with the man she loved, and becomes the step mother of her niece Lucía. Nora, Lucía's half sister and daughter of Rebeca, resents Lucía for the same reasons Rebeca hated Adriana, as history repeats itself.

Acorralada is an American telenovela produced by Venevisión. Univision aired Acorralada from January 2007 to October 2007 on weekday afternoons at 2 pm central. It was rebroadcast in late 2011 through April 2012 on Univision's sister network, Telefutura. It was filmed in Miami, Florida, and lasted about 187 episodes. It is the second long-running telenovela that Venevisión Productions has produced without its former co-producer Fonovideo.