Flying High

A single woman, Ellie Riggs, tries to navigate her way through the Los Angeles music scene and her own messy personal life.

Cranky but likable L.A. PI Jim Rockford pulls no punches (but takes plenty of them). An ex-con sent to the slammer for a crime he didn't commit, Rockford takes on cases others don't want, aided by his tough old man, his lawyer girlfriend and some shady associates from his past.

United States is a short-lived half-hour comedy-drama that NBC added to its Tuesday primetime schedule in March 1980. Larry Gelbart, the show's executive producer and chief writer, said the name United States was not a reference to the country but rather to "the state of being united in a relationship". Gelbart envisioned a series that would be "a situation comedy based on the real things that happen in my marriage and in the marriages of my friends". Episodes tackled such topics as marital infidelity, household debt, friends who drink too much, death within the family, and sexual misunderstandings. United States focused on Richard and Libby Chapin, an upwardly mobile couple who lived in a Los Angeles suburb. Beau Bridges played Richard, and Helen Shaver played Libby. Gelbart reverted to black-and-white script for the show's titles. He said that was to convey the mood of "a sophisticated '30s film." Gelbart also avoided use of background music and a laugh track. Scripts featured dialogue such as, "Just for once I'd like to be treated like a friend instead of a husband," and "Maybe you and Bob can go out and get yourselves one redhead with two straws." United States premiered at 10:30 p.m. on March 11, 1980. NBC pulled it from the schedule within two months, after only six of 13 episodes had aired. The remaining episodes were not broadcast until 1986, when the A&E cable channel aired United States.

The Outsider was the story of David Ross, a go-it-alone private investigator who's always where the action is. Darren McGavin played Ross, a man living in an off-beat, always-dangerous world. The series aired for one season on NBC and was a precursor of sorts to The Rockford Files in that it featured a loner private detective who had previously done time in prison for a crime he didn't commit and who never quite fit into a rapidly changing environment.

A pair of detectives investigate stalkers in Los Angeles. Strong and focused, Lt. Beth Davis is an expert in the field of repeated harassment, driven by personal experience of being a victim. She heads the LAPD's Threat Assessment Unit, which investigates cases of stalking -- including voyeurism, cyberharassment and romantic fixation. The history of recent transfer Jack Larsen -- whose personality and questionable behavior have been an issue in the past -- may help him in his assignment to her team. Her other detectives are young but eager Ben Caldwell and deceptively intelligent Janice Lawrence. Together they try to stop situations from spinning out of control -- and to keep their personal obsessions at bay.

Harry Bosch, an LAPD homicide detective, stands trial for the fatal shooting of a serial murder suspect. A cold case involving the remains of a missing boy forces Bosch to confront his past. As daring recruit Julia Brasher catches his eye and departmental politics heat up, Bosch will pursue justice at all costs.

The high-powered law firm of McKenzie, Brackman, Chaney and Kuzak handles both criminal and civil cases, usually for high fees. However, office politics and romance often distract the legal staffers from matters in the courtroom.

Joey has struck out on his own and moved to Hollywood, hoping to truly make it as an actor. Joey says goodbye to a time when his friends were his family and welcomes the chance to turn his family into his friends. After reuniting with his high-strung sister Gina, a strong and sexy hairdresser, Joey moves in with her genius 20-year-old son, graduate student Michael, who literally is a rocket scientist. What Joey lacks in book smarts, however, he more than makes up for with his people skills, making him the best new friend his nephew could ask for.

An LA family with serious boundary issues have their past and future unravel when a dramatic admission causes everyone's secrets to spill out.

Set in the sprawling mecca of the rich and famous, Ray Donovan does the dirty work for LA's top power players, and makes their problems disappear. His father's unexpected release from prison sets off a chain of events that shakes the Donovan family to its core.

Matt Houston is an American crime drama series that aired on ABC from 1982 to 1985. Created by Lawrence Gordon, the series was produced by Aaron Spelling.

Eight Is Enough is an American television comedy-drama series that ran on ABC from March 15, 1977, until August 29, 1981. The show was modeled after syndicated newspaper columnist Thomas Braden, a real-life parent with eight children, who wrote a book with the same name.

The trials of a former television station manager turned newspaper city editor, and his journalist staff.

A friend group of black women face life's tests and triumphs together. From dating to divorce, and friends to family to relationships, Joan, Maya, Lynn and Toni support each other despite their differing backgrounds.

The misadventures of a cantankerous junk dealer and his frustrated son.

The domestic adventures, misdeeds and everyday interactions of five families living on a cul-de-sac in a small California community.

After moving to The Coterie in Downtown Los Angeles, Callie and Mariana Foster realize that living on their own is not all that it’s cracked up to be.

Follow the ups-and-downs of Angela Williams, the owner of a successful beauty salon, and her husband of 13 years, Marcus, a former professional football player who has recently partnered with Richard Ellington and Joseph Jetson on a new sports news program called "C-Sports Now."

The crew of Los Angeles County Fire Department Station 51, particularly the paramedic team, and Rampart Hospital respond to emergencies in their operating area.

Desperate for celebrity approval, the newly appointed head of a movie studio and his executive team at Continental Studios must juggle corporate demands with creative ambitions as they try to keep movies alive and relevant.