Mattie

Riley worked in an aircraft plant in California, but viewers usually saw him at home, cheerfully disrupting life with his malapropisms and ill timed intervention into minor problems. His stock answer to every turn of fate became a catch phrase: 'What a revoltin' development this is!"

Hapless bank clerk Willie Melvin dreams of being a successful writer but is held back by his own incompetence, the dodgy dealings of his best friend Chancer, and lack of support from his mother, the bank's manager Adam McLelland and his obsequious fellow teller, Brian.

The Bob Cummings Show is an American sitcom starring Robert "Bob" Cummings which was produced from January 2, 1955 to September 15, 1959. The Bob Cummings Show was the first series ever to debut as a midseason replacement. The program began with a half-season run on NBC, then ran for two full seasons on CBS, and returned to NBC for its final two seasons. The program was later rerun in the daytime hours on ABC and then syndicated under the title Love That Bob. A similar, but less successful, follow-up series, The New Bob Cummings Show, was broadcast on CBS during the 1961-62 television season.

A bank robber holds the visitors of an open house hostage and then promptly vanishes, leaving the police baffled — and suspicious of everyone.

Una poltrona per due is an Italian television series.

München 7 is a German police drama series from Franz Xaver Bogner. The show is set in Munich, Germany and features the fictive police station "München 7" or "Munich 7". The main characters are the "Sheriff from Marienplatz" Xaver Bartl and his new colleague Felix Kandler. München 7 is part of a series of commonly branded shows with similar themes called "Heiter bis tödlich".

Pot activist Ruth Whitefeather Feldman runs a medical marijuana dispensary while encouraging her loyal patients to chill out and enjoy the high life.

Hey, Landlord is an American sitcom appearing on NBC during the 1966-1967 season, sponsored by Procter & Gamble in the 8:30-9pm Eastern time period on Sunday nights. It is notable for its casting director Fred Roos, who later became a producer for Francis Ford Coppola. Roos discovered counterculture sketch group The Committee in San Francisco and cast all members in bit parts in Hey, Landlord.

The story of the relationship between a man and his mother, the latter having been reincarnated as a 1928 Porter automobile.

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

The absurd adventures of two defective detectives, who - despite unbelievable incompetence - somehow manage to solve their cases (or be nearby when the cases are solved) and retain their jobs.

Green Acres is an American sitcom starring Eddie Albert and Eva Gabor as a couple who move from New York City to a rural country farm. Produced by Filmways as a sister show to Petticoat Junction, the series was first broadcast on CBS, from September 15, 1965 to April 27, 1971. Receiving solid ratings during its six-year run, Green Acres was cancelled in 1971 as part of the "rural purge" by CBS. The sitcom has been in syndication and is available in DVD and VHS releases. In 1997, the two-part episode "A Star Named Arnold is Born" was ranked #59 on TV Guide's 100 Greatest Episodes of All Time.

Sledge Hammer! is an American satirical police sitcom produced by New World Television that ran for two seasons on ABC from 1986 to 1988. The series was created by Alan Spencer and stars David Rasche as Inspector Sledge Hammer, a preposterous caricature of the standard "cop on the edge" character. Al Jean and Mike Reiss, best known for their work on The Simpsons, wrote for the show and worked as story editors.

Nick Cannon and an A-list celebrity lead a team of improv comedians as they compete against each other.

Webster is an American situation comedy that aired on ABC from September 16, 1983 until May 8, 1987, and in first-run syndication from September 21, 1987 until March 10, 1989. The series was created by Stu Silver. The show stars Emmanuel Lewis in the title role as a young boy who, after losing his parents, is adopted by his NFL-pro godfather, portrayed by Alex Karras, and his new socialite wife, played by Susan Clark. The focus was largely on how this impulsively married couple had to adjust to their new lives and sudden parenthood, but it was the congenial Webster himself who drove much of the plot. The series was produced by Georgian Bay Ltd., Emmanuel Lewis Entertainment Enterprises, Inc. and Paramount Television. Like NBC's earlier hit Diff'rent Strokes, Webster featured a young African-American boy adopted by a white family.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.

Barney Miller is the kind of cop we'd all like to run into. Always sensible, he maintains order over a band of detectives who gamble, hit on anything in skirts, go to renaissance philosophy conventions for fun, and would really prefer to be writing. Nearly all of the action takes place in the squad room where citizens and criminals are brought in to complicate the mix.

Right out of high school, Sean Finnerty got his girlfriend Claudia pregnant. Now she’s his wife, and at just 32, he’s somehow found himself with 14-year-old daughter Lily, two little boys, and a constant struggle between his need to be responsible and his desperate desire to be irresponsible. His judgmental father Walt and devil-may-care brother Eddie are no help at all. When they all get together, stories always start to fly. Of course, Sean’s family will never let him finish a story; they interrupt, they debate, they derail, they defend themselves; just like any good family would.

The Dick Van Dyke Show centers around the work and home life of television comedy writer Rob Petrie. The plots generally revolve around problems at work, where Rob got into various comedic jams with fellow writers Buddy Sorrell, Sally Rogers and producer Mel Cooley.

A butler deals with life at the governor's mansion.