Hombres de honor

Dulce Desafío is a Mexican telenovela starring Adela Noriega and Eduardo Yáñez.

Mar de Amor is a Spanish-language telenovela produced by Nathalie Lartilleux with protagonists Zuria Vega, Mario Cimarro and Mariana Seoane and antagonists Ninel Conde, Marcelo Córdoba and Manuel Landeta. This is a remake of the 1978 Venezuelan telenovela María del Mar.

The story of Renata Flores del Angel, a young woman from a wealthy family who falls for Pablo Ramos, the foreman of her father's estate.

Paulino Córdoba, Gabino Roura, Rodolfo Huerta, and Matías Quiroga have been friends since childhood; however, as adults, their priorities shifted, and a sin now threatens to destroy their friendship. Paulino owns the El Milagro apple hacienda and is married to Rosario; they have two children, César and Lucrecia. Rosario has always favored her son while openly rejecting her daughter. Lucrecia was raised by Delfina, Rosario’s maid and Manuel’s mother.

Las Juanas is a Colombian telenovela. It first aired in 1997 on the Colombian Network RCN. The show was written by Bernardo Romero Pereira, and was his most successful telenovela after the globally distributed series Café and Yo Soy Betty, La Fea.

Victoria Balvanera owns a vast expanse of land and a prestigious advertising agency. She is married to the landowner Nelson Brizz. Following an attempted kidnapping, she finds love with José Ángel—her rescuer and the estate's new foreman.

Set in New York, the serial features the street-wise Ángel, who treats life as a game he plays to win. He tangles with the power-hungry Martín, who is engaged to a stunning, feisty lawyer named Manuela. She decides to defend Ángel, even though Martín wants to destroy him. Neither of the men know that Ángel is Martín's own son. Our hero learns that love is the only key to survival.

La Patrona is a Spanish-language telenovela produced by United States-based television network Telemundo Studios, Miami and Mexican Argos Comunicación. The telenovela is a remake of the Venezuelan telenovela La Dueña, written by José Ignacio Cabrujas. The name reflects a local term or slang in Mexico to address a person recognized as the main boss. However, the title is also a reflection of both the protagonist and the antagonist struggle to conquer power, authority and respect in a labor field traditionally deemed to be a man's job.

Lola... Érase Una Vez is a teen targeted Mexican melodrama telenovela produced by Televisa that is an adaptation of the Argentine global phenomenon and teenage telenovela Floricienta. The show tells the story of a modern Cinderella, Lola, a 20 year old girl, who works as a nanny and sings in a rock band and meets her so call Prince Charming. It debuted in Mexico on February 26, 2007, starring Aarón Díaz and Eiza González. The show had gained popularity among teens and children not only in Mexico but also internationally including Venezuela, Spain and the in United States. With concert performances filling major auditoriums and songs by the protagonist become radio hits. It debuted in the United States on Univision in March 2008 and ended on January 26, 2009. The series consisted of 224 episodes which aried Monday through Friday at 3 P.M, intentionally for teenagers to watch after school, as is typical for most teenage & children telenovelas in Spanish networks.

Hermanas, un amor compartido is a Mexican telenovela produced by Silvia Cano for TelevisaUnivision and originally broadcast on Las Estrellas in 2026. It is based on the Turkish series Ağlama Anne (2018), created by Serdar Oğuz. Adapted by Rossana Curiel, Cecilia Piñeiro, and Juan Pablo Balcázar, the telenovela stars Adriana Louvier, Danna García, Osvaldo Benavides, and Juan Martín Jáuregui. The story follows Rebeca and Mónica, two sisters who have always shared a strong bond despite their different personalities. Their relationship is shattered when a secret from Rebeca’s past resurfaces: years earlier, she abandoned her daughter Aura and entrusted her care to Mónica. After being separated from her child, Rebeca returns determined to recover her daughter, while Mónica refuses to lose the girl she raised as her own. The sisters must confront love, guilt, family conflicts, and the difficult question of what truly defines motherhood.