State of the Union

Armchair Thriller is a British television programme, broadcast on ITV in two series in 1978 and 1980. Owing something to some of the off-shoots of the earlier Armchair Theatre, the new series used scripts adapted from published novels and stories. Although not properly a horror series it included several supernatural elements. Armchair Thriller was produced by Thames Television, but it included serials made by Southern Television.

Riley worked in an aircraft plant in California, but viewers usually saw him at home, cheerfully disrupting life with his malapropisms and ill timed intervention into minor problems. His stock answer to every turn of fate became a catch phrase: 'What a revoltin' development this is!"

Hapless bank clerk Willie Melvin dreams of being a successful writer but is held back by his own incompetence, the dodgy dealings of his best friend Chancer, and lack of support from his mother, the bank's manager Adam McLelland and his obsequious fellow teller, Brian.

The Bob Cummings Show is an American sitcom starring Robert "Bob" Cummings which was produced from January 2, 1955 to September 15, 1959. The Bob Cummings Show was the first series ever to debut as a midseason replacement. The program began with a half-season run on NBC, then ran for two full seasons on CBS, and returned to NBC for its final two seasons. The program was later rerun in the daytime hours on ABC and then syndicated under the title Love That Bob. A similar, but less successful, follow-up series, The New Bob Cummings Show, was broadcast on CBS during the 1961-62 television season.

In these eight tales set across Europe, singles navigate love's complexities via an online dating site, from marital games to elderly romance.

No overview available.

Una poltrona per due is an Italian television series.

Six beloved African folktales are boldly reimagined in this multilingual anthology series exploring themes of grief, love, and mysticism.

"ScreenPlay Firsts" is a BBC Two anthology series featuring short films and plays directed by emerging British filmmakers. The series showcases the work of new directors, primarily British and often graduates of UK and international film schools, who have not previously had their work broadcast on television. Each episode is around 30 minutes long, with the first broadcast airing on August 17, 1987. The last episode aired on September 29, 1993.

No overview available.

The lives of a realtor, a plumber and a former tennis star unexpectedly collide, exposing America’s obsession with true crime, murder and the slow-close toilet seat.

Rob Delaney and Sharon Horgan write and star in a comedy that follows an American man and an Irish woman who make a bloody mess as they struggle to fall in love in London.

Two dysfunctional flatmates reveal all their inner thoughts - whether dark, stupid or embarrassing. Or, occasionally, all three...

Follow the ups-and-downs of Angela Williams, the owner of a successful beauty salon, and her husband of 13 years, Marcus, a former professional football player who has recently partnered with Richard Ellington and Joseph Jetson on a new sports news program called "C-Sports Now."

A middle-aged couple experience the pain, the relief and the trials and tribulations of a divorce in this dry, witty comedy.

This eclectic, star-studded anthology follows diverse Chicagoans fumbling through the modern maze of love, sex, technology and culture. First dates, friends with benefits, couples with kids. Whatever your relationship status is, it's always complicated.

Narcissistic, brash, and self-destructive Jimmy Shive-Overly thinks all relationships are doomed. Cynical, people-pleasing, and stubborn Gretchen Cutler knows that relationships aren't for her. So when they meet at a wedding, it's only natural that the two of them go home together.

A romantic comedy anthology series which follows a different protagonist each season on the journey from first love to last love, with each half-hour episode chronicling one of their relationships.

A portrait into the mind of a dry-witted, sexual, angry, porn-watching, grief-riddled woman, trying to make sense of the world. As she hurls herself headlong at modern living, Fleabag is thrown roughly up against the walls of contemporary London, with all its frenetic energy, late nights, and bright lights.

Rebellious Mickey and good-natured Gus navigate the thrills and agonies of modern relationships.