Acting
Dec 31, 1932
Bauru, São Paulo, Brazil
Paulo Villaça
Acting
Biography
Paulo Barbosa Villaça (Bauru, São Paulo, 1933 — Rio de Janeiro, Rio de Janeiro, 1992) was a Brazilian actor and theatre director. Villaça worked as a Literature professor, journalist and advertising manager before his breakthrough as an actor in the 1960s. He achieved success by playing the main role in Rogério Sganzerla's "The Red Light Bandit" (1968). During the 1970s, Villaça was married to famous Brazilian actress Marília Pêra. He played parts in over 20 films, being a reconizable figure in productions from the Brazilian Cinema Marginal movement during the 1960s and 1970s. He also had a solid career at the theatre, where he acted in the Teatro Oficina company and played roles in many important plays, such as "Navalha na Carne", "Fala Baixo Senão eu Grito" and "Grande e Pequeno". In TV, he appeared in shows such as Rede Globo's "O Bofe" and Rede Bandeirante's "Os Adolescentes", limited series like "Quem Ama Não Mata" and "Chapadão do Bugre" and soap operas such as "Helena" and "Vale Tudo". His last film was 1992's "Perfume de Gardênia", which paid homage to his iconic role of The Red Light Bandit. He died in Rio de Janeiro from HIV-related health problems, and was buried in São Paulo.
Feature Films (42)
An authentically marginal cinema created in Catholic university in Brazil. One of the most intriguing and imaginative moments in modern cinema in the voice of some of its select conspirators—with Carlos Reichenbach at the lead—, and through the most razing flow of images that can possibly be conceived.
The Good Cinema
"Portraits and excerpts from Brazilian films from all times. Actors, directors and images that affirm cinema."
Celebração - 100 Anos do Cinema Nacional
After meeting a beguiling woman in a movie theater, a realtor becomes embroiled in a mysterious plot involving murder, double identities and movies.
The Lady from the Shanghai Cinema
Solange is a recently married young woman whose wedding night did not end well. After constant fights with her husband, she decides to live through her sexual frustration by sleeping with strangers she picks up on crowded buses in Rio de Janeiro.
Lady on the Bus
Biography of Brazilian congressman Tenório Cavalcanti, who used to appear in public carrying a machine-gun, and wearing a black cloak.
The Man in the Black Cape
A public relations man is invited to guide an American millionaire during his stay in Rio de Janeiro. He gets involved in the most bizarre situations, from orgiastic mega-parties to confrontations with the police, meetings with drug dealers and movie stars, facing corruption and even murder.
Rio Babilonia
Movie director in his forties and in existential crisis falls in love with an unknown teen girl he sees walking down the streets, without knowing she's the daughter of the woman he's having a relationship with.
Fulaninha
Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.
The Woman of Everyone
Sônia and her homosexual brother are both believed by their mother to be possessed by the devil. She works as a prostitute in the streets of Copacabana and he’s a servant who falls madly in love with his employer.
Copacabana Mon Amour
A caboclo's soul wanders through purgatory (or hell), visiting many places until he boards a ship whose destination is unknown.
The Giant of America
Zionists hire a hitman to kill a Nazi war criminal exiled in a Latin American country, where he's being protected by the local dictator. Get ready for gunshots; sex scenes; strange form of tortures; a cocaine-addict priest who helps the dictatorship; contemptous remarks and behavior from the main "hero"; amusing sequences of Chuchu having fun with beautiful women pretending to be James Bond; and the wimp colonel who is in love with a male prostitute. It's all good and fun to watch but remember that this is a product of its era, so it's quite possible to see some objectionable things. But for the most part it's never crass or insanely offensive.
The Torturer
Television & Series (12)
The miniseries addresses the difficulties in romantic relationships through the story of five middle-class couples with different views on marriage, love and fidelity. The protagonists, housewife Alice and dentist Jorge, married for eight years, seem like a perfect couple. However, the union is in crisis because they are unable to have a child. Jorge discovers that he is sterile and, disappointed, does not reveal the fact to Alice, who suffers from not being able to get pregnant. The relationship becomes increasingly difficult due to the lack of dialogue and they become violent towards each other. A murder connects the plots: in the first chapter, the viewer learns that there was a crime, but does not know who the victim is: Jorge or Alice. The mystery is only revealed in the last chapter, when it is discovered that Jorge is the murderer.
Quem Ama Não Mata
In the 1950s, Lurdinha and Marcos fall in love at the first sight. She studies at the Institute of Education, and he studies at the Military College. Two traditional educational institutions in 'Tijuca', in the North Zone of 'Rio de Janeiro'. But Lurdinha's conservative parents reject Marcos because he is son of separated parents and try, in every way, to keep him away from her.
Golden Years
At the end of the 19th century, Italian immigrants settled in the municipality of Palmeira, Paraná, creating Brazil's first anarchist society, Colônia Cecília. Giovanni Rossi suffers from the failure of the experiment. He is a veterinarian, agronomist, biologist, and journalist. But above all, he is an idealist, with a strong personality and obsessed with the desire to live with free humanity.
