Fernando Luján

Esmeralda is a teenager with an unusual obsession: she collects lost, forgotten or discarded objects from people she doesn't know and keeps them in a box beneath her bed. This is the tale of three objects in the box and the people behind them, all in some way incapable of relating to the person they love most. It is also a tale of the box itself, and of how Esmeralda learns to open it, to feel and to hoard the most valuable thing of all: human relations.

Having an example of piety and Christian devotion in their midst may help the girls in this whorehouse reform. Maybe.

Oscar Cardenas is a free young man who dreams of being a racer. One day he is trapped by Isabel Salas, a young secretary, who while finds a husband, she is sleeping with her boss. Oscar and Isabel end at the altar. From that moment Oscar, is falling into the traps that the 'society' puts over him...

In a seedy brothel, their frustrations parade: A poet who has never published, a revolutionary who came late to history, a provocative angel, a bureaucrat with delusions of a dancer, a greedy Chinese man and his timorous wife, Monica, a prostitute with low professional esteem, a group of prostitutes of dubious sensuality and, finally, a priest with a stench of holiness and another with redeeming instincts. But a stranger with the air of a princess appears, and upsets the balance of the establishment.

Jose learns that Nora, the woman he was married to for 30 years and from whom divorced, has committed suicide.

Every Friday, the Colonel puts on his only suit and goes to the dock to await a letter announcing the arrival of his pension. But the townsfolk all know that this pension will never come. His wife also knows it, and even he knows it. But he is still waiting, living with the pain of the death of his son.

Pili and uncle Angel travel to Mexico to see Mili dancing at her debut in a theater in the capital. When Mili finds out the bad economic situation of her uncle, she decides to seek work. Meanwhile, Pili works in a department store and meets Rodolfo, the grandson of Mrs. Caceres, owner of the store, which she takes for the chauffeur of the lady. In turn, Ms. Caceres hires Mili to dance at her party, where she meets and falls for Rodolfo. Rodolfo, who does not know of the existence of a twin sister, is convinced that the girl in the party is Pili. And the sisters do not know they are in love with the same man, which will lead to an unexpected conflict.

A novice eats some special mushrooms and changes her personality acting like a crazy psychedelic girl.

Turmoil becomes the order of the day when a Mexican theatrical company begins its rehearsals of absurdist philosopher Albert Camus's “Caligula” for an influential upcoming international theater festival.

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Based on the novel by Carlos Trejo, supposedly based on true events, the film retells the story of a group of friends that played the Ouija one night together and started to die one by one in mysterious ways. The only survivor was the real-life author, Carlos Trejo.

Ana Paula catches her fiancé cheating. After a night of drinking, she wakes up far from home, not so certain she wants to go back.

After her parents death, the little Cecilia is under the care of her aunts: Natalia and Evangelina. Evangelina is a cruel woman who doesn't love the child and she treats her bad. Unlike Evangelina, Natalia is good and will help Cecilia because she is her real mother. She was seduced and got pregnant by Padre Julio. Evangelina hates Padre Julio because in the past he preferred Natalia to her. Many years later, there is a problem, because Evangelina doesn't want to give Cecilia money to attend the University. But Cecilia wins a grant and she can study now. She is engaged and wants to marry Giovanni, but Evangelina is against. She will poison him with a drink. Then Cecilia meets and falls in love with Gerardo, who is engaged to Sofia. Sofia's parents are Marta and Armando. Armando returns home after abandoning his family for many years. Marta has a romance with Manuel, but Sofia and Armando are opposed. Ines and Renato, who are Gerardo's parents, also are opposed to his romance with Cecilia. She breaks up the romance and goes to sor Angelina's nunnery to become a nun. Sonia and Roberto try to separate Gerardo from Cecilia. Then Cecilia finds out the truth about her birth and meets padre Julio. Natalia discovers that Evangelina tries to appropriate the whole patrimony of Cecilia and Evangelina kills her.

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

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Mirada de mujer: El regreso is a Mexican telenovela, which was produced by and broadcast on TV Azteca in 2003. It is the sequel of Mirada de Mujer.